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dcterms:bibliographicCitation <http://dblp.uni-trier.de/rec/bibtex/series/hci/BlankinshipC18>
dc:creator <https://dblp.l3s.de/d2r/resource/authors/Erik_Blankinship>
dc:creator <https://dblp.l3s.de/d2r/resource/authors/Pilapa_Esara_Carroll>
foaf:homepage <http://dx.doi.org/doi.org%2F10.1007%2F978-3-319-68213-6%5F36>
foaf:homepage <https://doi.org/10.1007/978-3-319-68213-6_36>
dc:identifier DBLP series/hci/BlankinshipC18 (xsd:string)
dc:identifier DOI doi.org%2F10.1007%2F978-3-319-68213-6%5F36 (xsd:string)
dcterms:issued 2018 (xsd:gYear)
rdfs:label Whose Line Is It Anyway? Enabling Creative Appropriation of Television. (xsd:string)
foaf:maker <https://dblp.l3s.de/d2r/resource/authors/Erik_Blankinship>
foaf:maker <https://dblp.l3s.de/d2r/resource/authors/Pilapa_Esara_Carroll>
swrc:pages 535-541 (xsd:string)
dcterms:partOf <https://dblp.l3s.de/d2r/resource/publications/series/hci/BlytheM18>
owl:sameAs <http://bibsonomy.org/uri/bibtexkey/series/hci/BlankinshipC18/dblp>
owl:sameAs <http://dblp.rkbexplorer.com/id/series/hci/BlankinshipC18>
rdfs:seeAlso <http://dblp.uni-trier.de/db/series/hci/BlytheM18.html#BlankinshipC18>
rdfs:seeAlso <https://doi.org/10.1007/978-3-319-68213-6_36>
swrc:series <https://dblp.l3s.de/d2r/resource/collections/hci>
dc:title Whose Line Is It Anyway? Enabling Creative Appropriation of Television. (xsd:string)
dc:type <http://purl.org/dc/dcmitype/Text>
rdf:type swrc:InCollection
rdf:type foaf:Document