Search results for "Electroacoustic"

Hits ?▲	Authors	Title	Venue	Year	Link	Author keywords
72	Barry Eaglestone, Nigel Ford, Peter G. Holdridge, Jenny Carter, Catherine Upton	Cognitive Styles and Computer-Based Creativity Support Systems: Two Linked Studies of Electro-acoustic Music Composers.	CMMR	2007	DBLP DOI BibTeX RDF	electroacoustic composition, composition software, cognitive styles
50	Stephen David Beck	The immersive computer-controlled audio sound theater: history and current trends in multi-modal sound diffusion.	SIGGRAPH Talks	2009	DBLP DOI BibTeX RDF	ambisonics, electroacoustic music performance, immersive audio, interactive sound diffusion, loudspeaker orchestras
44	Gary S. Kendall, Mauricio Ardila	The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and Auditory Spatial Schemata.	CMMR	2007	DBLP DOI BibTeX RDF
44	Klaus-P. Timmann	The Rating of Understanding in Secure Voice Communication Systems.	EUROCRYPT	1982	DBLP DOI BibTeX RDF
43	Arne Eigenfeldt	NetBeat and Net4Tet-Networked Performance Instruments for Electroacoustic Music Students.	CSE (4)	2009	DBLP DOI BibTeX RDF
43	Jeffrey M. Morris	Ontological Substance and Meaning in Live Electroacoustic Music.	CMMR	2008	DBLP DOI BibTeX RDF
43	Colby Leider	Multichannel Audio in Electroacoustic Music: An Aesthetic and Technical Research Agenda.	ICME	2007	DBLP DOI BibTeX RDF
43	Benjamin R. Levy	Electroacoustic Music: The Continuing Tradition Electroacoustic Music Festival at the University of Maryland, College Park, Maryland, USA 20-22 February 2002.	Comput. Music. J.	2002	DBLP DOI BibTeX RDF
43	Thomas Gerwin	The International Digital ElectroAcoustic Music Archive - A new source for research into the history of electroacoustic music.	ICMC	1993	DBLP BibTeX RDF
28	Christopher Burns 0001	Sawtooth: interactive clarity and aesthetic complexity.	CHI Extended Abstracts	2010	DBLP DOI BibTeX RDF	electroacoustic music, animation, motion capture, improvisation
28	Carlos D. Perales, Cristina Portalés, Francisco Sanmartín	Sonic Gestures Applied to a Percussive Dialogue in TanGram Using Wii Remotes.	ICEC	2009	DBLP DOI BibTeX RDF	Electroacoustic, Live Electronics, Percussion, Music
28	Cynthia Beth Rubin, Robert J. Gluck	Layered histories: the wandering bible of Marseilles.	ACM Multimedia	2004	DBLP DOI BibTeX RDF	Columbia, Max/ MSP/Jitter, electroacoustic interactivity, arts, morph, sound, text, media, installation, new media
22	Vincenzo Lombardo, Andrea Valle, Fabrizio Nunnari	Tabula ex-cambio.	ACM Multimedia	2009	DBLP DOI BibTeX RDF	real-time computer graphics, stock index presentation, art installation, auralization
22	Arvid Tomayko-Peters	Improvisation with the TOOB.	SIGGRAPH Music & Audio	2009	DBLP DOI BibTeX RDF
22	Adam Lockhart	Cognitive Implications of Musical Perception.	CMMR	2007	DBLP DOI BibTeX RDF
22	Paul Vickers	Lemma 4: Haptic Input + Auditory Display = Musical Instrument?	HAID	2006	DBLP DOI BibTeX RDF
22	Eduardo Reck Miranda	The Art of Rendering Sounds from Emergent Behaviour: Cellular Automata Granular Synthesis.	EUROMICRO	2000	DBLP DOI BibTeX RDF
21	Jiawen Yu, Lei Wang 0067, Wei Tian, Kai Zhang, Shuhan Liao, Qianming Xu	An Adaptive Broadband Active Impedance Matching Network for Underwater Electroacoustic Transduction System.	IEEE Trans. Ind. Electron.	2023	DBLP DOI BibTeX RDF
21	Florencia Blasina, Andrés Echarri, Nicolás Pérez	Calibration of a Hail-Impact Energy Electroacoustic Sensor.	IEEE Trans. Instrum. Meas.	2023	DBLP DOI BibTeX RDF
21	Olga Guliy, Boris D. Zaitsev, Irina A. Borodina	Electroacoustic Biosensor Systems for Evaluating Antibiotic Action on Microbial Cells.	Sensors	2023	DBLP DOI BibTeX RDF
21	Mohamed Qawaqzeh, Farouq M. Al-Taweel, Kinga Stecula, Katarzyna Markowska, Mohammad Al-khawaldah, Tariq M. Younes, Basem Alrifai, Oleksandr Miroshnyk, Taras Shchur	A Simple Approach to Connecting Pt100 by Utilizing an Electroacoustic Resonance Tube.	Sensors	2023	DBLP DOI BibTeX RDF
21	Andreas Bergsland, Sanket Rajeev Sabharwal	Examining the Correlation Between Dance and Electroacoustic Music Phrases: A Pilot Study.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
21	Clarisse Bardiot, Bernard Jacquemin, Alexandre Michaan, Jeanne Westeel, Oudom Southammavong, Daniel Koskowitz	Eulalie: a documentary system for the collaborative preservation of electroacoustic music based on the Doremus ontology.	DH	2023	DBLP DOI BibTeX RDF
21	Flo Menezes	The Studio PANaroma and Electroacoustic Music in Brazil.	Comput. Music. J.	2022	DBLP DOI BibTeX RDF
21	Rosalia Soria-Luz	Narrative, Activism, and Aesthetics: Composing Electroacoustic Music for Mexicans.	Comput. Music. J.	2022	DBLP DOI BibTeX RDF
21	Felipe de Almeida Ribeiro, Ricardo de Oliveira Thomasi	Mapping Out the Origins of Electroacoustic Music Studios in Brazil.	Comput. Music. J.	2022	DBLP DOI BibTeX RDF
21	Guillermo Eisner	An Analytical Approach to the Scenic Realization of Electroacoustic Music: The Theatricality of Lumínico.	Comput. Music. J.	2022	DBLP DOI BibTeX RDF
21	Christine Webster	Empty Room Composition électroacoustique dans l'espace numérique 3D. Exploration et étude sur les nouvelles techniques de composition et de spatialisation dans un espace numérique 3D. (Empty Room Electroacoustic composition in virtual 3D space. Exploration and studies about new compositionnal and spatial techniques in a virtuel 3D space).		2022	RDF
21	Yifan Zhou, Wei Wang 0200, Bingxia Jiang, Jiale Qi	Recovery Method for Pulsed Electroacoustic Space Charge Measurement in Bi-Layer Dielectrics Under Temperature Gradient.	IEEE Trans. Instrum. Meas.	2021	DBLP DOI BibTeX RDF
21	Siqi Wang, Ali Zarafshani, Liangzhong Xiang	Electroacoustic tomography (EAT): 2D electric field reconstruction for electroporation treatment monitoring.	Medical Imaging: Image-Guided Procedures	2021	DBLP DOI BibTeX RDF
21	Paulo C. Chagas, Cássia Carrascoza Bomfim	With Love: Electroacoustic, Audiovisual, and Telematic Music.	CMMR	2021	DBLP DOI BibTeX RDF
21	Andrea Bareggi, Simonetta Sargenti	Towards Accessible and Sustainable Learning of Real Time Electroacoustic Composition and Performance at Undergraduate Academic Level.	CSEDU (1)	2021	DBLP DOI BibTeX RDF
21	José Miguel Fernandez	Vers un système unifié d'interaction et de synchronisation en composition électroacoustique et mixte: partitions électroniques centralisées. (Towards a unified system of interaction and synchronisation in electroacoustic and mixed composition: centralised electronic scores).		2021	RDF
21	Thomas Joubaud, Grégory Pallone	Electroacoustic method for the calibration of a heterogeneous distributed speaker system.	EUSIPCO	2020	DBLP DOI BibTeX RDF
21	Ross Feller	Electroacoustic Works.	Comput. Music. J.	2019	DBLP DOI BibTeX RDF
21	Enrique Tomás, Thomas Gorbach, Hilda Tellioglu, Martin Kaltenbrunner	Material embodiments of electroacoustic music: an experimental workshop study.	NIME	2019	DBLP DOI BibTeX RDF
21	Stuart Cunningham 0004	Communicating Auditory Impairments Using Electroacoustic Composition.	EVA	2019	DBLP DOI BibTeX RDF
21	Matthias Nowakowski, Christof Weiß, Jakob Abeßer	Towards Deep Learning Strategies for Transcribing Electroacoustic Music.	CMMR	2019	DBLP DOI BibTeX RDF
21	Reinhold Friedl	Towards a philology of electroacoustic music: Xenakis's tape music as paradigm.		2019	RDF
21	Eduardo Nogueira, Juan Sancho Gil, José-Luis Sánchez-Bote	Lifetime of electret microphones by thermal degradation analysis via electroacoustic measurements.	Microelectron. Reliab.	2018	DBLP DOI BibTeX RDF
21	Niccolò Pretto, Carlo Fantozzi, Edoardo Micheloni, Valentina Burini, Sergio Canazza	Computing Methodologies Supporting the Preservation of Electroacoustic Music from Analog Magnetic Tape.	Comput. Music. J.	2018	DBLP DOI BibTeX RDF
21	Vincent Caers	LSL.LPSR: Applying Contemporary Compositional Processes Into an Electroacoustic Improvisation Tool.	ICMC	2018	DBLP BibTeX RDF
21	Ali Momeni, Daniel McNamara, Jesse Stiles	MOM: an Extensible Platform for Rapid Prototyping and Design of Electroacoustic Instruments.	NIME	2018	DBLP DOI BibTeX RDF
21	Thomas Meyssonnier	Vers des systèmes et outils de notation et de composition pour la musique électroacoustique. (Towards notation and composition tools and systems for electroacoustic music).		2018	RDF
21	Christine Webster, François Garnier, Anne Sedes	Empty Room, how to compose and spatialize electroacoustic music in VR in ambisonic and binaural.	Int. J. Virtual Real.	2017	DBLP DOI BibTeX RDF
21	Etienne Rivet, Sami Karkar, Hervé Lissek	Broadband Low-Frequency Electroacoustic Absorbers Through Hybrid Sensor-/Shunt-Based Impedance Control.	IEEE Trans. Control. Syst. Technol.	2017	DBLP DOI BibTeX RDF
21	Andrés Lewin-Richter	2017 New York City Electroacoustic Music Festival: Abrons Arts Center, New York.	Comput. Music. J.	2017	DBLP DOI BibTeX RDF
21	Hugh Lynch, Robert Sazdov	A Perceptual Investigation into Spatialization Techniques Used in Multichannel Electroacoustic Music for Envelopment and Engulfment.	Comput. Music. J.	2017	DBLP DOI BibTeX RDF
21	Chin-Tuan Tan	A preliminary study to identify a neurophysiological correlate of electroacoustic pitch matching in cochlear implant users.	EMBC	2017	DBLP DOI BibTeX RDF
21	Marc Estibeiro	The Impact of the Digital Interface and the Score on Controlled Improvisation When Using Acoustic Instruments in an Electroacoustic Context.	ICMC	2017	DBLP BibTeX RDF
21	Germán Toro Pérez, Lucas Bennett	Performance Practice of Electroacoustic Music. Towards a practice-based exchange between musicology and performance.	ICMC	2017	DBLP BibTeX RDF
21	Emilia Parada-Cabaleiro, Alice Baird, Nicholas Cummins, Björn W. Schuller	Stimulation of psychological listener experiences by semi-automatically composed electroacoustic environments.	ICME	2017	DBLP DOI BibTeX RDF
21	Takuro Shibayama, Hidefumi Ohmura, Tatsuji Takahashi, Kiyoshi Furukawa	A Tentative Assumption of Electroacoustic Music as an Enjoyable Music for Diverse People.	ACE	2017	DBLP DOI BibTeX RDF
21	Christine Webster, François Garnier, Anne Sedes	Empty Room, an electroacoustic immersive composition spatialized in virtual 3D space, in ambisonic and binaural.	VRIC	2017	DBLP DOI BibTeX RDF
21	Giacomo Lepri	InMuSIC: an Interactive Multimodal System for Electroacoustic Improvisation.	ICMC	2016	DBLP BibTeX RDF
21	Jiayue Cecilia Wu, Madeline Huberth, Yoo Hsiu Yeh, Matthew Wright 0002	Evaluating the Audience's Perception of Real-time Gestural Control and Mapping Mechanisms in Electroacoustic Vocal Performance.	NIME	2016	DBLP DOI BibTeX RDF
21	Christopher Haworth	Sound Synthesis Procedures as Texts: An Ontological Politics in Electroacoustic and Computer Music.	Comput. Music. J.	2015	DBLP DOI BibTeX RDF
21	Miroslav Spasov	Using Strange Attractors to Control Sound Processing in Live Electroacoustic Composition.	Comput. Music. J.	2015	DBLP DOI BibTeX RDF
21	Chin-Tuan Tan	A physiological correlate of electroacoustic pitch matching in cochlear implant users with residual hearing.	ICASSP	2015	DBLP DOI BibTeX RDF
21	Aurie Y. Hsu, Steven T. Kemper	Kinesonic approaches to mapping movement and music with the remote electroacoustic kinesthetic sensing (RAKS) system.	MOCO	2015	DBLP DOI BibTeX RDF
21	Jaspreet Singh Chahal, Chakradhar C. Reddy	Modeling and Simulation of Pulsed Electroacoustic Measurement Method.	IEEE Syst. J.	2014	DBLP DOI BibTeX RDF
21	Ian Stevenson	EMS 2014: The Twelfth Electroacoustic Music Studies Network Conference.	Comput. Music. J.	2014	DBLP DOI BibTeX RDF
21	Theodoros Lotis	The Creation and Projection of Space-Source in Electroacoustic Music.	ICMC	2014	DBLP BibTeX RDF
21	Ian Whalley	Broadening Telematic Electroacoustic Music by Affective Rendering and Embodied Real-time Data Sonification.	ICMC	2014	DBLP BibTeX RDF
21	David Hirst	The Use of Rhythmograms in the Analysis of Electroacoustic Music, with Application to Normandeau's Onomatopoeias Cycle.	ICMC	2014	DBLP BibTeX RDF
21	Panayiotis Kokoras	Sense: an electroacoustic composition for surround sound and tactile transducers.	ICMC	2014	DBLP BibTeX RDF
21	Gerhard Eckel, Martin Rumori	StiffNeck: The Electroacoustic Music Performance Venue in a Box.	ICMC	2014	DBLP BibTeX RDF
21	André V. Perrotta, Flo Menezes, Luis Gustavo Martins	Modelling the live-electronics in electroacoustic music using particle systems.	ICMC	2014	DBLP BibTeX RDF
21	Alexis Story Crawshaw	Towards Defining the Potential of Electroacoustic Infrasonic Music.	ICMC	2014	DBLP BibTeX RDF
21	Georgia Kalodiki	Interactive Performance Systems Conceptual interacting strategies in forming electroacoustic sound identities.	ICMC	2014	DBLP BibTeX RDF
21	Paul Vickers	Ways of Listening and Modes of Being: Electroacoustic Auditory Display.	CoRR	2013	DBLP BibTeX RDF
21	Hua Meng, Mesut Sahin	An electroacoustic recording device for wireless sensing of neural signals.	EMBC	2013	DBLP DOI BibTeX RDF
21	Hugh Lynch, Robert Sazdov	An Investigation into the perception of Spatial Techniques used in Multi-channel Electroacoustic Music.	ICMC	2013	DBLP BibTeX RDF
21	Guillaume Boutard, Catherine Guastavino	Archiving electroacoustic and mixed music: Significant knowledge involved in the creative process of works with spatialisation.	J. Documentation	2012	DBLP DOI BibTeX RDF
21	Nick Collins	Automatic Composition of Electroacoustic Art Music Utilizing Machine Listening.	Comput. Music. J.	2012	DBLP DOI BibTeX RDF
21	Natasha Barrett	Trends in electroacoustic music.	The Cambridge Companion to Electronic Music	2012	DBLP DOI BibTeX RDF
21	Hanns Holger Rutz	Sound Similarity as Interface between Human and Machine in Electroacoustic Composition.	ICMC	2012	DBLP BibTeX RDF
21	Michael Boyd	Space/Sound: Multichannel Electroacoustic Music by Thomas DeLio, Thomas Licata, Agostino Di Scipio, Kristian Twombly, Kees Tazelaar, and Linda Dusman.	Comput. Music. J.	2011	DBLP DOI BibTeX RDF
21	Bruno Bossis	History of electroacoustic music through filmed sources: an example at IRCAM.	ICMC	2011	DBLP BibTeX RDF
21	Kevin Dahan	Electroacoustic Music: Overcoming Analysis Paralysis.	ICMC	2011	DBLP BibTeX RDF
21	Patrick Valiquet	The Spatialisation of Stereophony: Taking Positions in Post-War Electroacoustic Music.	ICMC	2011	DBLP BibTeX RDF
21	David Pedrosa Branco, Iouliia Skliarova, José Vieira 0001	Reconfigurable Digital Audio Mixer for Electroacoustic Music.	ReConFig	2010	DBLP DOI BibTeX RDF
21	Nick Cope, Tim Howle	Electroacoustic Movies - Towards A Post-Acousmatic Music.	ICMC	2010	DBLP BibTeX RDF
21	Michael Berger	The GRIP MAESTRO: Idiomatic Mappings of Emotive Gestures for Control of Live Electroacoustic Music.	NIME	2010	DBLP DOI BibTeX RDF
21	Aurie Y. Hsu, Steven T. Kemper	Shadows no. 4: belly dance and interactive electroacoustic musical performance.	CHI Extended Abstracts	2010	DBLP DOI BibTeX RDF
21	Tim Robert Merritt, Weiman Kow, Christopher Ng, Kevin McGee, Lonce Wyse	Who makes what sound?: supporting real-time musical improvisations of electroacoustic ensembles.	OZCHI	2010	DBLP DOI BibTeX RDF
21	Patricia L. Dirks	Frances White: Centre Bridge: Electroacoustic Works.	Comput. Music. J.	2009	DBLP DOI BibTeX RDF
21	Karen Sunabacka	Electroacoustic Music Studies Network 2008: Musique concrète - 60 Years Later.	Comput. Music. J.	2009	DBLP DOI BibTeX RDF
21	Tae Hong Park, James Harley	Toronto Electroacoustic Symposium.	Comput. Music. J.	2009	DBLP DOI BibTeX RDF
21	Manuel Rocha Iturbide	Structure and Psychoacoustic Perception of the Electroacoustic Soundscape.	ICMC	2009	DBLP BibTeX RDF
21	Robert J. Gluck	Electroacoustic, Creative, and Jazz: Musicians Negotiating Boundaries.	ICMC	2009	DBLP BibTeX RDF
21	Suk-Jun Kim	Imaginal Listening and Phenomena of Sound-Images in Electroacoustic Music.	ICMC	2009	DBLP BibTeX RDF
21	Marina Ponomar	On Acceptable Modification Limits of Electroacoustic Speech Signals for Data Hiding.	IIH-MSP	2009	DBLP DOI BibTeX RDF	steganography, Data hiding, quantization index modulation
21	Matthew Dotson	Seventeenth Florida Electroacoustic Music Festival.	Comput. Music. J.	2008	DBLP DOI BibTeX RDF
21	Sarah Adair, Michael Alcorn, Chris Corrigan	A Study into the perception of envelopment in Electroacoustic Music.	ICMC	2008	DBLP BibTeX RDF
21	Peter Lucas Hulen	A low-Cost spherical loudspeaker array for Electroacoustic Music.	ICMC	2008	DBLP BibTeX RDF
21	Jean-Baptiste Thiebaut, Patrick G. T. Healey, Nick Bryan-Kinns	Drawing Electroacoustic Music.	ICMC	2008	DBLP BibTeX RDF
21	Mika Kuuskankare, Mikael Laurson	Strategies and Methods for Creating Symbolic Electroacoustic Scores in ENP.	CMMR	2008	DBLP DOI BibTeX RDF
21	Leigh Landy	The Electroacoustic Resource Site (Ears) Approaches its Next phase: Going Global and Addressing the Young.	ICMC	2007	DBLP BibTeX RDF
21	Barry Eaglestone, Nigel Ford, Peter G. Holdridge, Jenny Carter	Are Cognitive Styles an Important factor in the Design of Electroacoustic Music Software?	ICMC	2007	DBLP BibTeX RDF