| Hits ?▲ |
Authors |
Title |
Venue |
Year |
Link |
Author keywords |
| 83 | Lia Mice, Andrew McPherson 0002 |
The M in NIME: Motivic analysis and the case for a musicology of NIME performances.  |
NIME  |
2022 |
DBLP DOI BibTeX RDF |
|
| 83 | Raul Masu, Adam Pultz Melbye, John Sullivan, Alexander Refsum Jensenius |
NIME and the Environment: Toward a More Sustainable NIME Practice. |
NIME |
2021 |
DBLP DOI BibTeX RDF |
|
| 83 | Raul Masu, Nuno N. Correia, Teresa Romão |
NIME Scores: a Systematic Review of How Scores Have Shaped Performance Ecologies in NIME. |
NIME |
2021 |
DBLP DOI BibTeX RDF |
|
| 83 | Anna Xambó |
Who Are the Women Authors in NIME?-Improving Gender Balance in NIME Research. |
NIME |
2018 |
DBLP DOI BibTeX RDF |
|
| 83 | Alexander Refsum Jensenius, Michael J. Lyons 0001 |
Trends at NIME - Reflections on Editing A NIME Reader. |
NIME |
2016 |
DBLP DOI BibTeX RDF |
|
| 60 | Rébecca Kleinberger, Nikhil Singh 0003, Xiao Xiao 0001, Akito van Troyer |
Voice at NIME: a Taxonomy of New Interfaces for Vocal Musical Expression. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 60 | Yichen Wang, Charles Martin 0001 |
Cubing Sound: Designing a NIME for Head-mounted Augmented Reality. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 60 | Jack Armitage, Thor Magnusson, Victor Shepardson, Halldór Úlfarsson |
The Proto-Langspil: Launching an Icelandic NIME Research Lab with the Help of a Marginalised Instrument. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 60 | Jackson Goode, Stefano Fasciani |
A Toolkit for the Analysis of the NIME Proceedings Archive. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 60 | Jiayue Cecilia Wu |
Today and Yesterday: Two Case Studies of China's NIME Community. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 60 | Juan Pablo Martinez-Avila, João Tragtenberg, Filipe Calegario, Ximena Alarcón, Laddy Patricia Cadavid Hinojosa, Isabela Corintha Almeida, Teodoro Dannemann, Javier Jaimovich, Adnan Marquez-Borbon, Martin Matus Lerner, Miguel Angel Ortiz Pérez, Juan Mariano Ramos, Hugo Solís García |
Being (A)part of NIME: Embracing Latin American Perspectives. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 60 | S. M. Astrid Bin |
Discourse is critical: Towards a collaborative NIME history. |
NIME |
2021 |
DBLP DOI BibTeX RDF |
|
| 60 | Michael Blandino, Edgar Berdahl |
Using a Pursuit Tracking Task to Compare Continuous Control of Various NIME Sensors. |
NIME |
2021 |
DBLP DOI BibTeX RDF |
|
| 60 | Kelsey Cotton, Pedro Sanches 0001, Vasiliki Tsaknaki, Pavel Karpashevich |
The Body Electric: A NIME designed through and with the somatic experience of singing. |
NIME |
2021 |
DBLP DOI BibTeX RDF |
|
| 60 | João Tragtenberg, Gabriel Albuquerque, Filipe Calegario |
Gambiarra and Techno-Vernacular Creativity in NIME Research. |
NIME |
2021 |
DBLP DOI BibTeX RDF |
|
| 60 | P. J. Charles Reimer, Marcelo M. Wanderley |
Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. |
NIME |
2021 |
DBLP DOI BibTeX RDF |
|
| 60 | Filipe Calegario, João Tragtenberg, Christian Frisson, Eduardo Meneses, Joseph W. Malloch, Vincent Cusson, Marcelo M. Wanderley |
Documentation and Replicability in the NIME Community. |
NIME |
2021 |
DBLP DOI BibTeX RDF |
|
| 60 | Koray Tahiroglu, Miranda Kastemaa, Oskar Koli |
AI-terity 2.0: An Autonomous NIME Featuring GANSpaceSynth Deep Learning Model. |
NIME |
2021 |
DBLP DOI BibTeX RDF |
|
| 60 | Derek Holzer, Henrik Frisk, Andre Holzapfel |
Sounds of Futures Passed: Media Archaeology and Design Fiction as NIME Methodologies. |
NIME |
2021 |
DBLP DOI BibTeX RDF |
|
| 60 | Enrique Tomás |
A Playful Approach to Teaching NIME: Pedagogical Methods from a Practice-Based Perspective. |
NIME |
2020 |
DBLP DOI BibTeX RDF |
|
| 60 | Laddy P. Cadavid |
Knotting the memory//Encoding the Khipu_: Reuse of an ancient Andean device as a NIME . |
NIME |
2020 |
DBLP DOI BibTeX RDF |
|
| 60 | Margarida Pessoa, Cláudio Parauta, Pedro Luís, Isabela Corintha Almeida, Gilberto Bernardes |
Examining Temporal Trends and Design Goals of Digital Music Instruments for Education in NIME: A Proposed Taxonomy. |
NIME |
2020 |
DBLP DOI BibTeX RDF |
|
| 60 | Alon Ilsar, Matthew Hughes, Andrew Johnston |
NIME or Mime: A Sound-First Approach to Developing an Audio-Visual Gestural Instrument. |
NIME |
2020 |
DBLP DOI BibTeX RDF |
|
| 60 | Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet |
Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study. |
NIME |
2020 |
DBLP DOI BibTeX RDF |
|
| 60 | Fabio Morreale, S. M. Astrid Bin, Andrew P. McPherson, Paul Stapleton, Marcelo M. Wanderley |
A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community. |
NIME |
2020 |
DBLP DOI BibTeX RDF |
|
| 60 | Lauren Hayes, Adnan Marquez-Borbon |
Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises. |
NIME |
2020 |
DBLP DOI BibTeX RDF |
|
| 60 | Juan Pablo Martinez-Avila, Vasiliki Tsaknaki, Pavel Karpashevich, Charles Windlin, Niklas Valenti, Kristina Höök, Andrew P. McPherson, Steve Benford |
Soma Design for NIME. |
NIME |
2020 |
DBLP DOI BibTeX RDF |
|
| 60 | Disha Sardana, Woohun Joo, Ivica Ico Bukvic, Greg Earle |
Introducing Locus: a NIME for Immersive Exocentric Aural Environments. |
NIME |
2019 |
DBLP DOI BibTeX RDF |
|
| 60 | Anna Xambó, Sigurd Saue, Alexander Refsum Jensenius, Robin Støckert, Øyvind Brandtsegg |
NIME Prototyping in Teams: A Participatory Approach to Teaching Physical Computing. |
NIME |
2019 |
DBLP DOI BibTeX RDF |
|
| 60 | Akito van Troyer, Rébecca Kleinberger |
From Mondrian to Modular Synth: Rendering NIME using Generative Adversarial Networks. |
NIME |
2019 |
DBLP DOI BibTeX RDF |
|
| 60 | Fabio Morreale, Andrew P. McPherson, Marcelo M. Wanderley |
NIME Identity from the Performer's Perspective. |
NIME |
2018 |
DBLP DOI BibTeX RDF |
|
| 60 | Kyriakos D. Tsoukalas, Ivica Ico Bukvic |
Introducing a K-12 Mechatronic NIME Kit. |
NIME |
2018 |
DBLP DOI BibTeX RDF |
|
| 60 | Adnan Marquez-Borbon, Juan Pablo Martinez-Avila |
The Problem of DMI Adoption and Longevity: Envisioning a NIME Performance Pedagogy. |
NIME |
2018 |
DBLP DOI BibTeX RDF |
|
| 60 | Joe Cantrell |
Designing intent: defining critical meaning for nime practitioners. |
NIME |
2017 |
DBLP DOI BibTeX RDF |
|
| 60 | Fabio Morreale, Andrew P. McPherson |
Design for longevity: ongoing use of instruments from nime 2010-14. |
NIME |
2017 |
DBLP DOI BibTeX RDF |
|
| 60 | Scott Smallwood |
Locus sono: a listening game for nime. |
NIME |
2017 |
DBLP DOI BibTeX RDF |
|
| 60 | Jerônimo Barbosa, Marcelo M. Wanderley, Stéphane Huot |
Exploring playfulness in nime design: the case of live looping tools. |
NIME |
2017 |
DBLP DOI BibTeX RDF |
|
| 60 | Rikard Lindell, Koray Tahiroglu, Morten Riis, Jennie Schaeffer |
Materiality for Musical Expressions: an Approach to Interdisciplinary Syllabus Development for NIME. |
NIME |
2016 |
DBLP DOI BibTeX RDF |
|
| 60 | Benjamin Carey, Andrew Johnston |
Reflection On Action in NIME Research: Two Complementary Perspectives. |
NIME |
2016 |
DBLP DOI BibTeX RDF |
|
| 60 | Jerônimo Barbosa, Joseph W. Malloch, Marcelo M. Wanderley, Stéphane Huot |
What does 'evaluation' mean for the nime community? |
NIME |
2015 |
DBLP DOI BibTeX RDF |
|
| 60 | Adnan Marquez-Borbon, Paul Stapleton |
Fourteen years of nime: the value and meaning of 'community' in interactive music research. |
NIME |
2015 |
DBLP DOI BibTeX RDF |
|
| 60 | Stu Favilla, Sonja Pedell |
Touch Screen Collaborative Music: Designing NIME for Older People with Dementia. |
NIME |
2014 |
DBLP DOI BibTeX RDF |
|
| 60 | Sergi Jordà, Sebastián Mealla C. |
A Methodological Framework for Teaching, Evaluating and Informing NIME Design with a Focus on Mapping and Expressiveness. |
NIME |
2014 |
DBLP DOI BibTeX RDF |
|
| 60 | Dominik Schlienger, Sakari Tervo |
Acoustic Localisation as an Alternative to Positioning Principles in Applications presented at NIME 2001-2013. |
NIME |
2014 |
DBLP DOI BibTeX RDF |
|
| 60 | Alexander Refsum Jensenius |
To gesture or Not? An Analysis of Terminology in NIME Proceedings 2001-2013. |
NIME |
2014 |
DBLP DOI BibTeX RDF |
|
| 60 | Owen Green |
NIME, Musicality and Practice-led Methods. |
NIME |
2014 |
DBLP DOI BibTeX RDF |
|
| 60 | Adrian Freed, John MacCallum, Sam Mansfield |
"Old" is the New "New": a Fingerboard Case Study in Recrudescence as a NIME Development Strategy. |
NIME |
2013 |
DBLP DOI BibTeX RDF |
|
| 60 | Hans Leeuw, Jorrit Tamminga |
NIME Education at the HKU, Emphasizing performance. |
NIME |
2012 |
DBLP DOI BibTeX RDF |
|
| 60 | Adrian Freed, Andrew Schmeder |
Features and Future of Open Sound Control version 1.1 for NIME. |
NIME |
2009 |
DBLP DOI BibTeX RDF |
|
| 60 | Andrew Milmoe |
NIME Performance & Installation: Sonic Pong V3.0. |
NIME |
2007 |
DBLP DOI BibTeX RDF |
|
| 60 | Christopher Dobrian, Daniel Koppelman |
The 'E' in NIME: Musical Expression with New Computer Interfaces. |
NIME |
2006 |
DBLP DOI BibTeX RDF |
|
| 60 | Sageev Oore |
Learning Advanced Skills on New Instruments (or practising scales and arpeggios on your NIME). |
NIME |
2005 |
DBLP DOI BibTeX RDF |
|
| 60 | Gideon D'Arcangelo |
Creating a Context for Musical Innovation: A NIME Curriculum. |
NIME |
2002 |
DBLP DOI BibTeX RDF |
|
| 47 | Alexander Refsum Jensenius, Michael J. Lyons 0001 |
Trends at NIME - Reflections on Editing "A NIME Reader". |
CoRR |
2020 |
DBLP BibTeX RDF |
|
| 36 | |
22nd International Conference on New Interfaces for Musical Expression, NIME 2022, online, June 28 - July 1, 2022 |
NIME |
2022 |
DBLP BibTeX RDF |
|
| 36 | Karitta Zellerbach, Charlie Roberts |
A Framework for the Design and Analysis of Mixed Reality Musical Instruments. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Harri Renney, Silvin Willemsen, Benedict R. Gaster, Tom Mitchell 0001 |
HyperModels - A Framework for GPU Accelerated Physical Modelling Sound Synthesis. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Victor Paredes, Jules Françoise, Frédéric Bevilacqua |
Entangling Practice with Artistic and Educational Aims: Interviews on Technology-based Movement-Sound Interactions. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Krzysztof Cybulski |
Post-digital sax - a digitally controlled acoustic single-reed woodwind instrument. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Timothy Tate |
The Concentric Sampler: A musical instrument from a repurposed floppy disk drive. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Travis J. West, Kalun Leung |
early prototypes and artistic practice with the mubone. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Cagan Arslan, Florent Berthaut, Anthony Beuchey, Paul Cambourian, Arthur Paté |
Vibrating shapes : Design and evolution of a spatial augmented reality interface for actuated instruments. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Beat Rossmy, Maximilian Rauh, Alexander Wiethoff |
Towards User Interface Guidelines for Musical Grid Interfaces. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Felipe Verdugo, Amedeo Ceglia, Christian Frisson, Alexandre Burton, Mickaël Begon, Sylvie Gibet, Marcelo M. Wanderley |
Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Christian Frisson, Mathias Kirkegaard, Thomas Pietrzak, Marcelo M. Wanderley |
ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Laddy Patricia Cadavid Hinojosa |
Kanchay_Yupana\slash \slash: Tangible rhythm sequencer inspired by ancestral Andean technologies. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Jianing Zheng, Nick Bryan-Kinns |
Squeeze, Twist, Stretch: Exploring Deformable Digital Musical Interfaces Design Through Non-Functional Prototypes. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Zak Argabrite, Jim Murphy, Sally Jane Norman, Dale A. Carnegie |
Technology is Land: Strategies towards decolonisation of technology in artmaking. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Enrico Dorigatti, Raul Masu |
Circuit Bending and Environmental Sustainability: Current Situation and Steps Forward. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Daniel Chin, Gus Xia |
A Computer-aided Multimodal Music Learning System with Curriculum: A Pilot Study. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Giacomo Lepri, John Bowers 0001, Samantha Topley, Paul Stapleton, Peter Bennett 0001, Kristina Andersen, Andrew McPherson 0002 |
The 10, 000 Instruments Workshop - (Im)practical Research for Critical Speculation. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Sam Trolland, Alon Ilsar, Ciaran Frame, Jon McCormack, Elliott Wilson |
AirSticks 2.0: Instrument Design for Expressive Gestural Interaction. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Doga Cavdir |
Touch, Listen, (Re)Act: Co-designing Vibrotactile Wearable Instruments for Deaf and Hard of Hearing. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Anil Çamci, John Granzow |
Augmented Touch: A Mounting Adapter for Oculus Touch Controllers that Enables New Hyperreal Instruments. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Courtney N. Reed, Charlotte Nordmoen, Andrea Martelloni, Giacomo Lepri, Nicole Robson, Eevee Zayas-Garin, Kelsey Cotton, Lia Mice, Andrew McPherson 0002 |
Exploring Experiences with New Musical Instruments through Micro-phenomenology. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Georgios Diapoulis, Iannis Zannos, Kivanç Tatar, Palle Dahlstedt |
Bottom-up live coding: Analysis of continuous interactions towards predicting programming behaviours. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Eevee Zayas-Garin, Andrew McPherson 0002 |
Dialogic Design of Accessible Digital Musical Instruments: Investigating Performer Experience. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Nicole Robson, Andrew McPherson 0002, Nick Bryan-Kinns |
Being With The Waves: An Ultrasonic Art Installation Enabling Rich Interaction Without Sensors. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Brady Boettcher, John Sullivan, Marcelo M. Wanderley |
Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Anna Xambó, Visda Goudarzi |
The Mobile Audience as a Digital Musical Persona in Telematic Performance. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Max Graf, Mathieu Barthet |
Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural Control. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Francesco Ardan Dal Rì, Raul Masu |
Exploring Musical Form: Digital Scores to Support Live Coding Practice. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Florent Berthaut, Luke Dahl |
The Effect of Visualisation Level and Situational Visibility in Co-located Digital Musical Ensembles. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Jean-Philippe Côté |
User-Friendly MIDI in the Web Browser. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Seth D. Thorn, Byron Lahey |
Decolonizing the Violin with Active Shoulder Rests (ASRs). |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Rodney DuPlessis |
A virtual instrument for physics-based musical gesture: CHON. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Nick Warren, Anil Çamci |
Latent Drummer: A New Abstraction for Modular Sequencers. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Thor Magnusson, Chris Kiefer, Halldór Úlfarsson |
Reflexions upon Feedback. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Takahiro Kamatani, Yoshinao Sato, Masato Fujino |
Ghost Play - A Violin-Playing Robot using Electromagnetic Linear Actuators. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Charlie Roberts, Ian Hattwick, Eric Sheffield, Gillian Smith 0001 |
Rethinking networked collaboration in the live coding environment Gibber. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Juan Ramos, Esteban Calcagno, Ramiro Oscar Vergara, Pablo Ernesto Riera, Joaquín Rizza |
Bandoneon 2.0: an interdisciplinary project for research and development of electronic bandoneons in Argentina. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Laurel Pardue, S. M. Astrid Bin |
The Other Hegemony: Effects of software development culture on music software, and what we can do about it. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Linnea Kirby, Paul Buser, Marcelo M. Wanderley |
Introducing the t-Tree: Using Multiple t-Sticks for Performance and Installation. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Anthony T. Marasco |
Approaching the Norns Shield as a Laptop Alternative for Democratizing Music Technology Ensembles. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Beat Rossmy |
Buttons, Sliders, and Keys - A Survey on Musical Grid Interface Standards. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Ivica Bukvic |
Latency-, Sync-, and Bandwidth-Agnostic Tightly-Timed Telematic and Crowdsourced Musicking Made Possible Using L2Ork Tweeter. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Lonce Wyse, Prashanth Thattai Ravikumar |
Syntex: parametric audio texture datasets for conditional training of instrumental interfaces. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Sam Bilbow |
Evaluating polaris~ - An Audiovisual Augmented Reality Experience Built on Open-Source Hardware and Software. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Andrea Guidi, Andrew McPherson 0002 |
Quantitative evaluation of aspects of embodiment in new digital musical instruments. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
| 36 | Carla Sophie Tapparo, Victor Zappi |
Bodily Awareness Through NIMEs: Deautomatising Music Making Processes. |
NIME |
2022 |
DBLP DOI BibTeX RDF |
|
![[Valid RSS]](Pics/valid-rss.png "Validate my RSS feed")
data released under the ODC-BY 1.0 license