Hits ?▲ |
Authors |
Title |
Venue |
Year |
Link |
Author keywords |
1 | Matías Zabaljáuregui, Diego Dorado |
Opensemble: A framework for collaborative algorithmic music. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Vesa Norilo |
Kronos Meta-Sequencer - From Ugens to Orchestra, Score and Beyond. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Giacomo Lepri |
InMuSIC: an Interactive Multimodal System for Electroacoustic Improvisation. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Jonathon Kirk, Lee Weisert |
Granular Wall: Approaches to sonifying fluid motion. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Richard Dudas, Pete Furniss |
Towards an Aesthetic of Instrumental Plausibility for Mixed Electronic Music. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Ronald K. Mo, Ga Lam Choi, Chung Lee, Andrew Horner |
The Effects of MP3 Compression on Emotional Characteristics. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Martin Ritter, Alyssa Aska |
Extending the Piano through Spatial Transformation of Motion Capture Data. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Steven Leffue, Grady Kestler |
AIIS: An Intelligent Improvisational System. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Ivica Ico Bukvic |
Introducing D4: An Interactive 3D Audio Rapid Prototyping and Transportable Rendering Environment Using High Density Loudspeaker Arrays. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Daniel McNamara, Ajay Kapur |
Roulette: A Customized Circular Sequencer for Generative Music. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Joseph Tilbian, Andrés Cabrera |
Stride: A Declarative and Reactive Language for Sound Synthesis and Beyond. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Riccardo Wanke |
A cross-genres (ec)static perspective on contemporary experimental music. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | David Su |
SCATLAVA: Software for Computer-Assisted Transcription Learning through Algorithmic Variation and Analysis. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Stuart James |
Multi-Point Nonlinear Spatial Distribution of Effects across the Soundfield. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Kristina Warren |
Composing and Performing Digital Voice Using Microphone-Centric Gesture and Control Data. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Adrien Ycart, Florent Jacquemard, Jean Bresson, Slawek Staworko |
A Supervised Approach for Rhythm Transcription Based on Tree Series Enumeration. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Artemi-Maria Gioti |
From live to interactive electronics. Symbiosis: a study on sonic human-computer synergy. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Morgan Jenks |
LR.step, an Algorithmic Drum Sequencer. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Peter Pabon, So Oishi |
Additive Synthesis with Band-Limited Oscillator Sections. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Lindsay Vickery, Stuart James |
Tectonic: a Networked, Generative and Interactive, Conducting Environment for iPad. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Hannah Bosma |
Computer Music as Born-Digital Heritage. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Rongfeng Liu, Xinyun Zhang, Minghui Bi |
Music Poet: A Performance-Driven Composing System. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Jan-Torsten Milde |
MusicBox: creating a musical space with mobile devices. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Christoph Hohnerlein, Maximilian Rest, Julius O. Smith III |
Continuous Order PolygonalWaveform Synthesis. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Chikashi Miyama, Götz Dipper, Ludger Brümmer |
Zirkonium 3.1 - a toolkit for spatial composition and performance. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Tom Erbe |
The Computer Realization of John Cage's Williams Mix. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Christopher J. Keyes, Christopher Coleman, Vanissa L. A. W. Wing Lun |
Design Considerations of HKBU's Laboratory for Immersive Arts and Technology: a Studio Report. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Arthur Wagenaar |
workshop SMARTER MUSIC. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Ulrike Mayer-Spohn, Keitaro Takahashi |
Recorderology - development of a web based instrumentation tool concerning recorder instruments. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Chad McKell |
Sonification of Optically-Ordered Brownian Motion. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Bret Battey |
Nodewebba: Software for Composing with Networked Iterated Maps. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Samuel J. M. Gilburt, Chuck-jee Chau, Andrew Horner |
The Effects of Pitch and Dynamics on the Emotional Characteristics of Bowed String Instruments. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Luwei Yang, Khalid Z. Rajab, Elaine Chew |
AVA: A Graphical User Interface for Automatic Vibrato and Portamento Detection and Analysis. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Yoichi Nagashima |
Bio-Sensing and Bio-Feedback Instruments - DoubleMyo, MuseOSC and MRTI2015 -. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Hsin-Ming Lin, Shlomo Dubnov |
Algorithmic Composition Parameter as Intercultural and Cross-level MIR Feature: The Susceptibility of Melodic Pitch Contour. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Falk Morawitz |
Molecular Sonification of Nuclear Magnetic Resonance Data as a Novel Tool for Sound Creation. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Daniele Ghisi, Mattia Bergomi |
Concatenative synthesis via Chord-based Segmentation for an Experiment with Time. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Javier Alejandro Garavaglia |
Granular Spatialisation, a new method for sound diffusion in high-density arrays of speakers and its application at the Spatial Audio Workshops residency at Virginia Tech (August 2015) for the composition of the acousmatic piece Spatial Grains - Soundscape No 1, for 138 speakers. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Miriam Akkermann |
Performing Computer Network Music. Well-known challenges and new possibilities. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Corentin Louboutin, Frédéric Bimbot |
Description of Chord Progressions by Minimal Transport Graphs Using the System & Contrast Model. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Andrea Salgian, David Vickerman |
Computer-Based Tutoring for Conducting Students. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Anil Çamci, Vincent Meelberg |
Diegetic Affordances and Affect in Electronic Music. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Diemo Schwarz, Guillaume Lemaitre, Mitsuko Aramaki, Richard Kronland-Martinet |
Effects of Test Duration in Subjective Listening Tests. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Kevin Schlei, Rebecca Yoshikane |
The Things of Shapes: Waveform Generation using 3D Vertex Data. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Roger B. Dannenberg, Zhang Chi |
O2: Rethinking Open Sound Control. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Jeremy C. Baguyos |
New Roles for Computer Musicians in S.T.E.A.M. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Carola Boehm |
Music Industry, Academia and the Public). |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Juan Li, Yinrui Wang, Xinyu Yang |
General Characteristics Analysis of Chinese Folk Songs based on Layered Stabilities Detection(LSD) Audio Segmentation Algorithm. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Richard Hoadley |
How To Play the Piano. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Otso Lähdeoja |
Composing for an Orchestra of Sonic Objects: The Shake-ousmonium Project. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Alexandra Kurepa, Rodney Waschka II |
Multiple Single-Dimension Mappings of the Henon Attractor as a Compositional Algorithm. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Edward Kelly |
Wavefolding: Modulation of Adjustable Symmetry in Sawtooth and Triangular Waveforms. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Tom Arjannikov, John Z. Zhang |
Do Nested Dichotomies Help in Automatic Music Genre Classification? An Empirical Study. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Stefano Kalonaris |
Markov Networks for Free Improvisers. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Jean-Michaël Celerier, Myriam Desainte-Catherine, Jean-Michel Couturier |
Graphical Temporal Structured Programming for Interactive Music. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Serge Lemouton |
Computer Music Interpretation in Practice. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Jaime Reis |
Short overview in parametric loudspeakers array technology and its implications in spatialization in electronic. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Daniele Ghisi, Andrea Agostini, Eric Maestri |
Recreating Gerard Grisey's Vortex Temporum with cage. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Sonya Hofer |
Viewing the Wrong Side of the Screen in Experimental Electronica Performances. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Adrien L' Honoré Naber |
Designing a Digital Gamelan. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Andreas Henrici, Martin Neukom |
Synchronization of van der Pol Oscillators with Delayed Coupling. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Anil Çamci, Paul Murray, Angus G. Forbes |
A Web-based System for Designing Interactive Virtual Soundscapes. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Juan Carlos Vasquez 0003, Koray Tahiroglu, Johan Kildal |
Motivic Through-Composition Applied to a Network of Intelligent Agents. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | David Johnson, Isabelle Dufour, Daniela E. Damian, George Tzanetakis |
Detecting Pianist Hand Posture Mistakes for Virtual Piano Tutoring. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Lauren Hayes |
Sound, Electronics and Music: an evaluation of early embodied education. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Akinori Ito, Kengo Watanabe, Genki Kuroda, Ken'ichiro Ito |
Improvements of iSuperColliderKit and its Applications. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Pierre Donat-Bouillud, Jean-Louis Giavitto, Arshia Cont, Nicolas Schmidt, Yann Orlarey |
Embedding native audio-processing in a score following system with quasi sample accuracy. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | B. A. Jacobs |
A Differential Equation Based Approach to Sound Synthesis and Sequencing. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Tae Hong Park, Sumanth Srinivasan |
The Sound Analysis Toolbox (SATB). |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Chuck-jee Chau, Andrew Horner |
The Emotional Characteristics of Mallet Percussion Instruments with Different Pitches and Mallet Hardness. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Benjamin D. Smith |
Electro Contra: Innovation for Tradition. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Christoph Theiler, Renate Pittroff |
Fluid control - Media Evolution in water. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Frank Zalkow, Stephan Brand, Bejamin Graf |
Musical Style Modification as an Optimization Problem. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Muhammad Hafiz Wan Rosli, Curtis Roads |
Spatiotemporal Granulation. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Andreas Weixler, Se-Lien Chuang |
Computer Music Studio and Sonic Lab at Anton Bruckner University Studio Report. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Hanlin Hu, David Gerhard |
WebHexIso: A CustomizableWeb-based Hexagonal Isomorphic Musical Keyboard Interface. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Axel Berndt, Simon Waloschek, Aristotelis Hadjakos |
Hand Gestures in Music Production. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Aaron Einbond, Diemo Schwarz, Riccardo Borghesi, Norbert Schnell |
Introducing CatOracle: Corpus-based concatenative improvisation with the Audio Oracle algorithm. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Daniel Scanteianu, Errick Jackson, Robert M. Keller |
A Fluid Chord Voicing Generator. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Thibaut Carpentier |
Panoramix: 3D mixing and post-production workstation. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | |
Proceedings of the 2016 International Computer Music Conference, ICMC 2016, Utrecht, The Netherlands, September 12-16, 2016 |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | David Kim-Boyle |
Frequency Domain Spatial Mapping with the LEAP Motion Controller. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Neal Andersen, Benjamin D. Smith |
Relative Sound Localization for Sources in a Haphazard Speaker Array. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Christopher Coleman |
The Sky's the Limit: Composition with Massive Replication and Time-shifting. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Frédéric Dufeu |
A Permissive Graphical Patcher for SuperCollider Synths. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Trevor Baca, Jeffrey Treviño, Josiah Oberholtzer |
Algorithmic Composition in Abjad: Workshop Proposal for ICMC 2016. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Kyungho Lee, Michael J. Junokas, Guy E. Garnett |
A Review of Interactive Conducting Systems: 1970-2015. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Chris Donahue, Tom Erbe, Miller S. Puckette |
Extended Convolution Techniques for Cross-Synthesis. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | David M. Hofmann |
Introducing a Context-based Model and Language for Representation, Transformation, Visualization, Analysis and Generation of Music. |
ICMC |
2016 |
DBLP BibTeX RDF |
|
1 | Donya Quick |
Composing with Kulitta. |
ICMC |
2015 |
DBLP BibTeX RDF |
|
1 | Adrian Moore 0002 |
Cross-Modality in Multi-Channel Acousmatic Music: The Physical and Virtual in Music Where There Is Nothing to See. |
ICMC |
2015 |
DBLP BibTeX RDF |
|
1 | Lindsay Vickery |
An Approach to the Generation of Real-Time Notation via Audio Analysis: The Semantics of Redaction. |
ICMC |
2015 |
DBLP BibTeX RDF |
|
1 | Anil Çamci, Zeynep Özcan, Damla Pehlevan |
Interactive Virtual Soundscapes: A Research Report. |
ICMC |
2015 |
DBLP BibTeX RDF |
|
1 | Thibaut Carpentier, Markus Noisternig, Olivier Warusfel |
Twenty Years of Ircam Spat: Looking Back, Looking Forward. |
ICMC |
2015 |
DBLP BibTeX RDF |
|
1 | Hanlin Hu, Brett Park, David Gerhard |
Mapping Tone Helixes to Cylindrical Lattices Using Chiral Angles. |
ICMC |
2015 |
DBLP BibTeX RDF |
|
1 | Johannes Kretz |
Morphing Sound in Real Time through the Timbre Tunnel. |
ICMC |
2015 |
DBLP BibTeX RDF |
|
1 | Dekai Wu, Karteek Addanki |
Neural Versus Symbolic Rap Battle Bots. |
ICMC |
2015 |
DBLP BibTeX RDF |
|
1 | John MacCallum, Rama Gottfried, Ilya Rostovtsev, Jean Bresson, Adrian Freed |
Dynamic Message-Oriented Middleware with Open Sound Control and Odot. |
ICMC |
2015 |
DBLP BibTeX RDF |
|
1 | Ethan Cayko |
Network Gyre - Exercising the Network's Rhythmic Potential. |
ICMC |
2015 |
DBLP BibTeX RDF |
|
1 | Timothy M. Walker |
Hierarchical Genomes in a Genetic Algorithm for Control of a Guitar Synthesizer. |
ICMC |
2015 |
DBLP BibTeX RDF |
|