| Hits ?▲ |
Authors |
Title |
Venue |
Year |
Link |
Author keywords |
| 1 | Panayiotis Kokoras |
Sense: an electroacoustic composition for surround sound and tactile transducers.  |
ICMC  |
2014 |
DBLP BibTeX RDF |
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| 1 | Jan C. Schacher |
Corporeality, Actions and Perceptions in Gestural Performance of Digital Music. |
ICMC |
2014 |
DBLP BibTeX RDF |
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| 1 | Ignacio Pecino |
Spatial and Kinematic Models for Procedural Audio in 3D Virtual Environments. |
ICMC |
2014 |
DBLP BibTeX RDF |
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| 1 | Dominique Fober, Yann Orlarey, Stéphane Letz |
Representation of Musical Computer Processes. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Jessica Aslan |
Degrees of Interpretation in Computer Aided Algorithmic Composition. |
ICMC |
2014 |
DBLP BibTeX RDF |
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| 1 | Kenta Okumura, Shinji Sako, Tadashi Kitamura |
Laminae: A stochastic modeling-based autonomous performance rendering system that elucidates performer characteristics. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Andrea Valle, Paolo Armao, Matteo Casu, Marinos Koutsomichalis |
SoDA: A Sound Design Accelerator for the automatic generation of soundscapes from an ontologically annotated sound library. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Trond Lossius, Joseph Anderson |
ATK Reaper: The Ambisonic Toolkit as JSFX plugins. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Gerhard Eckel, Martin Rumori |
StiffNeck: The Electroacoustic Music Performance Venue in a Box. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Chuck-jee Chau, Bin Wu 0013, Andrew Horner |
Timbre Features and Music Emotion in Plucked String, Mallet Percussion, and Keyboard Tones. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Niklas Klügel, Andreas Lindström, Georg Groh |
A Genetic Algorithm Approach to Collaborative Music Creation on a Multi-Touch Table. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Stuart James |
Sound Shapes and Spatial Texture: Frequency-Space Morphology. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Ai Kanato, Tomoyasu Nakano, Masataka Goto, Hideaki Kikuchi |
An Automatic Singing Impression Estimation Method Using Factor Analysis and Multiple Regression. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Clément Poncelet Sanchez, Florent Jacquemard |
Test Methods for Score-Based Interactive Music Systems. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Yuan-Yi Fan |
Organic Oscillator: Experiments using Natural Oscillation Sources from Audiences. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Elena Partesotti, Tiago Fernandes Tavares |
Color and emotion caused by auditory stimuli. |
ICMC |
2014 |
DBLP BibTeX RDF |
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| 1 | Amalia de Götzen, Nicola Bernardini, Alvise Vidolin |
Musical perspectives on composition, sonification and performace. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Steven T. Kemper, Wendy F. Hsu, Carey Sargent, Josef Taylor, Linda Wei |
Movable Party: A bicycle-powered system for interactive musical performance. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Mark Robert Nilsen |
Spinphony Demo. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Sinan Bökesoy |
A Recursive Mapping System for Motion and Sound in a Robot between Human Interaction Design. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Michael Musick, Tae Hong Park |
Timbral Hauntings: An Interactive System Re-Interpreting the Present in Echoes of the Past. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Anders Elowsson, Ragnar Schön, Matts Höglund, Elias Zea, Anders Friberg |
Estimation of Vocal Duration in Monaural Mixtures. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Federico Fontana, Federico Avanzini, Hanna Järveläinen, Stefano Papetti, Francesco Zanini, Valerio Zanini |
Perception of Interactive Vibrotactile Cues on the Acoustic Grand and Upright Piano. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Julien Biral, Nicolas D'Alessandro, Adrian Freed |
Towards a Dynamic Model of the Palm Mute Guitar Technique Based on Capturing Pressure Profiles Between the Guitar Strings. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Alexander Dupuis, Carlos Domínguez |
Digitally Extending the Optical Soundtrack. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Fotios Kontomichos, Charalampos Papadakos, Eleftheria Georganti, Thanos Vovolis, John Mourjopoulos |
The sound effect of ancient Greek theatrical masks. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Colin Clark, Adam R. Tindale |
Flocking: A Framework for Declarative Music-Making on the Web. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Jim W. Murphy, Ajay Kapur, Dale A. Carnegie |
Mechatronic Keyboard Music: Design, Evaluation, and Use of a New Mechatronic Harmonium. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Niklas Klügel, Gerhard Hagerer, Georg Groh |
FugueGenerator - Collaborative Melody Composition Based on a Generative Approach for Conveying Emotion in Music. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Christopher Jette, Kelland Thomas, Javier Villegas, Angus Graeme Forbes |
Translation as Technique: Collaboratively Creating an Electro-Acoustic Composition for Saxophone and Live Video Projection. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Lance Putnam |
A Method of Timbre-Shape Synthesis Based On Summation of Spherical. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Cyrille Delhaye, Rodolphe Bourotte, Sharon Kanach |
The Centre Iannis Xenakis's establishment at the University of Rouen. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Nadine Kroher, Emilia Gómez |
Improving accompanied Flamenco singing voice transcription by combining vocal detection and predominant melody extraction. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Claude Cadoz, Annie Luciani, Jérôme Villeneuve, Alexandros Kontogeorgakopoulos, Iannis Zannos |
Tangibility, Presence, Materiality, Reality in Artistic Creation with Digital Technology. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Annie Luciani |
Being There & Being With: The Philosophical and Cognitive Notions of Presence and Embodiment in Virtual Instruments. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Rodrigo F. Cádiz, Patricio de la Cuadra |
Kara: a BCI approach to composition. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Esteban Maestre, Carlos Spa, Julius O. Smith III |
A Bowed String Physical Model Including Finite-Width Thermal Friction and Hair Dynamics. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Kristian Nymoen, Arjun Chandra, Kyrre Glette, Jim Tørresen, Arve Voldsund, Alexander Refsum Jensenius |
PheroMusic: Navigating a Musical Space for Active Music Experiences. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Michael Spicer |
A Multi-agent Interactive composing system for creating "expressive" accompaniment. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Kevin Schlei |
TC-Data: Extending Multi-Touch Interfaces for Generalized Relational Control. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Ivan Zavada |
Chronotope: the mutual dependency of time and space in visual music. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Stefano Alessandretti, Giovanni Sparano |
NEYMA, interactive soundscape composition based on a low budget motion capture system. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Andrew Robertson |
Bassline Pitch Prediction for Real-Time Performance Systems. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | |
Music Technology meets Philosophy - From Digital Echos to Virtual Ethos: Joint Proceedings of the 40th International Computer Music Conference, ICMC 2014, and the 11th Sound and Music Computing Conference, SMC 2014, Athens, Greece, September 14-20, 2014 |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Sofia Stavropoulou, Anastasia Georgaki, Fotis Moschos |
The Effectiveness of Visual Feedback Singing Vocal Technology in Greek Elementary School. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Ajay Srinivasamurthy, Gopala Krishna Koduri, Sankalp Gulati, Vignesh Ishwar, Xavier Serra |
Corpora for Music Information Research in Indian Art Music. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Nikolaos Stefanakis, Yiannis Mastorakis, Athanasios Mouchtaris |
Instantaneous Detection and Classification of Impact Sound: Turning Simple Objects into Powerful Musical Control Interfaces. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Dominik Chapman, Mick Grierson |
N-gon Waves - Audio Applications of the Geometry of Regular Polygons in the Time Domain. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Dalia El-Shimy, Steve Cowan, Jeremy R. Cooperstock |
EmbodiComp: Embodied Interaction for Mixing and Composition. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Jason Cullimore, Howard Hamilton, David Gerhard |
Directed Transitional Composition for Gaming and Adaptive Music Using Q-Learning. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Kouhei Kanamori, Masatoshi Hamanaka, Junichi Hoshino |
Method to Detect GTTM Local Grouping Boundaries Based on Clustering and Statistical Learning. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | André V. Perrotta, Flo Menezes, Luis Gustavo Martins |
Modelling the live-electronics in electroacoustic music using particle systems. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Alan Marsden |
Echoes in Plato's Cave: Ontology of Sound Objects in Computer Music and Analysis. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Malachy Ronan, Robert Sazdov, Nicholas Ward |
Loudness Normalisation: Paradigm Shift or Placebo for the Use of Hyper-Compression in Pop Music? |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Gordan Krekovic, Davor Petrinovic |
Intelligent Exploration of Sound Spaces Using Decision Trees and Evolutionary Approach. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Stéphane Letz, Sarah Denoux, Yann Orlarey |
Audio Rendering/Processing and Control Ubiquity ? a Solution Built Using the Faust Dynamic Compiler and JACK/NetJack. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Andrea Agostini, Éric Daubresse, Daniele Ghisi |
cage: a high-level library for real-time computer-aided composition. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Gianpaolo Evangelista |
Some perspectives in the artistic rendering of music scores. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Sean Soraghan |
Animating Timbre - A User Study. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Aristotelis Hadjakos, Steffen Bock, Fabien Lévy |
CeMFI and Earquake: (Epi-)Centers for Experimental Music, Media and Research. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Joanne L. Armitage, Kia Ng |
Tactile Composition: Configurations and communications for a musical haptic chair. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Masaki Matsubara, Keiji Hirata 0001, Satoshi Tojo |
Distance in Pitch Sensitive Time-span Tree. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Cort Lippe |
Musings on the Status of Electronic Music Today. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Michael Clarke, Frédéric Dufeu, Peter D. Manning |
From Technological Investigation and Software Emulation to Music Analysis: An integrated approach to Barry Truax's Riverrun. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Diogo Cocharro, George Sioros, Marcelo F. Caetano, Matthew E. P. Davies |
Real-time Manipulation of Syncopation in Audio Loops. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Avneesh Sarwate, Jeff Snyder |
SkipStep: A Multi-Paradigm Touch-screen Instrument. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Agostino Di Scipio |
The place and meaning of computing in a sound relationship of man, machines, and environment. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Tiago Fernandes Tavares, Jônatas Manzolli 0001 |
Query-by-Multiple-Examples: Content-Based Search in Computer-Assisted Sound-Based Musical Composition. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Takayuki Hamano, Hidefumi Ohmura, Ryu Nakagawa, Hiroko Terasawa, Reiko Hoshi-Shiba, Kazuo Okanoya, Kiyoshi Furukawa |
Creating a Place as a Medium for Musical Communication Using Multiple Electroencephalography. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | David Wagner 0002, Ludger Brümmer, Götz Dipper, Jochen Arne Otto |
Introducing the Zirkonium MK2 System for Spatial Composition. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Thomas Coffy, Arshia Cont, Jean-Louis Giavitto |
AscoGraph: A User Interface for Sequencing and Score Following for Interactive Music. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Kurt James Werner, Jonathan S. Abel, Julius O. Smith III |
The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Kai Lassfolk, Mikko Ojanen |
University of Helsinki Music Research Laboratory and Electronic Music Studio - The first 50 years and beyond. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Zlatko Baracskai |
Algorithmic Cross-Mixing And Rhythmic Derangement. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Gen Hori, Shigeki Sagayama |
HMM-Based Automatic Arrangement for Guitars with Transposition and its Implementation. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | John MacCallum, Adrian Freed, David Wessel |
New Tools for Aspect-Oriented Programming in Music and Media Programming Environments. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Trond Lossius, Théo de la Hogue, Pascal Baltazar, Timothy A. Place, Nathan Wolek, Julien Rabin |
Model-View-Controller separation in Max using Jamoma. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Leontios J. Hadjileontiadis |
Conceptual Blending in Biomusic Composition Space: The "Brainswarm" Paradigm. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Shizuka Wada, Yasuo Horiuchi, Shingo Kuroiwa |
Tempo Prediction Model for Accompaniment System. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Raphaël Marczak, Pierre Hanna, Jean-Luc Rouas, Jasper van Vught, Gareth Schott |
From Automatic Sound Analysis of Gameplay Footage [Echos] to the Understanding of Player Experience [Ethos]: an Interdisciplinary Approach to Feedback- Based Gameplay Metrics. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Nadine Kroher, Emilia Gómez |
Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Ivica Ico Bukvic, Cody Cahoon, Ariana Wyatt, Tracy Cowden, Katie Dredger |
OPERAcraft: Blurring the Lines between Real and Virtual. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | John Mourjopoulos, Charalambos Papadakos, Gavriil Kamaris, Georgios Chryssochoidis, Georgios Kouroupetoglou |
Optimal Acoustic Reverberation Evaluation of Byzantine Chanting in Churches. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Ryan Maguire |
The Ghost in the MP3. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Adriano Baratè, Goffredo Haus, Luca A. Ludovico |
Real-time Music Composition through P-timed Petri Nets. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Nicholas K. Suda, Owen Vallis |
Touchpoint: Dynamically Re-Routable Effects Processing as a Multi-Touch Tablet Instrument. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Jim W. Murphy, Dale A. Carnegie, Ajay Kapur |
Little Drummer Bot: Building, Testing, and InterfacingWith a New Expressive Mechatronic Drum System. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Emery Schubert, Giovanni De Poli, Antonio Rodà, Sergio Canazza |
Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same? |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Ludvig Elblaus, Maurizio Goina, Marie-Andrée Robitaille, Roberto Bresin |
Modes of Sonic Interaction in Circus: Three Proofs of Concept. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Stefan Bilbao, Alberto Torin, Paul Graham, James Perry, Gordon Delap |
Modular Physical Modeling Synthesis Environments on GPU. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Daichi Ando |
Real-time Breeding Composition System by means of Genetic Programming and Breeding Procedure. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Jérémie Garcia, Philippe Leroux, Jean Bresson |
pOM: Linking Pen Gestures to Computer-Aided Composition Processes. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Jean-Claude Risset |
Sound and Music Computing Meets Philosophy. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Nathan Bowen, David Reeder |
Mobile Phones as Ubiquitous Instruments: Towards Standardizing Performance Data on the Network. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Pascale Criton |
Listening Otherwise: Playing with Sound Vibration. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Panayiotis Kokoras |
Auditory Fusion and Holophonic Musical Texture in Xenakis's Pithoprakta. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Hiroki Nishino |
An Experimental Classification of the Programming Patterns for Scheduling in Computer Music Programming. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Peter Nelson |
What Is Sound? |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Luiz Naveda, Ivani Santana |
"Topos" toolkit for Pure Data: exploring the spatial features of dance gestures for interactive musical applications. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
| 1 | Jon Ram Bruun-Pedersen, Stefania Serafin, Lise Busk Kofoed |
Augmented Exercise Biking with Virtual Environments for Elderly Users: Considerations on the use of auditory. |
ICMC |
2014 |
DBLP BibTeX RDF |
|
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