Hits ?▲ |
Authors |
Title |
Venue |
Year |
Link |
Author keywords |
1 | Andreas Weixler, Se-Lien Chuang |
Enhanced phenotype. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Donya Quick, Paul Hudak |
A Temporal Generative Graph Grammar for harmonic and Metrical Structure. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Martin Ritter, Keith Hamel, Bob Pritchard |
Integrated Multimodal Score-following Environment. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Paulina Sundin, Monty Adkins, Adrian Gierakowski |
Beyond Pythagoras. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | |
Proceedings of the 39th International Computer Music Conference, ICMC 2013, Perth, Australia, August 12-16, 2013 |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Zeyu Jin, Roger B. Dannenberg |
Formal Semantics for Music Notation control Flow. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | James Leonard, Nicolas Castagné, Claude Cadoz, Jean-Loup Florens |
Interactive Physical Design and Haptic Playing of Virtual Musical Instruments. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Bridget Johnson, Jim W. Murphy, Ajay Kapur |
Designing gestural Interfaces for Live sound diffusion. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Rafael Valle |
Towards a Dynamic, Inclusive and Equalitarian Augmented Activity Space. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Adam Collis |
Noise and Representation. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Oliver Bown 0001, Miriama Young, Samuel Johnson |
A Java-Based Remote Live coding System for Controlling Multiple Raspberry PI Units. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Roland Adeney |
Exploring movement and Music in a Grid Music System. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Justin Walbeck, Richard Snow |
Capacitance sensing gestural Music controller. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Renick Bell |
Towards Useful Aesthetic Evaluations of Live coding. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | David Medine |
Timelab: Yet, Yet Another Real-Time audio Programming System. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Michael Clarke, Frédéric Dufeu, Peter D. Manning |
Introducing Tacem and the Tiaals Software. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Anton L. Fuhrmann, Johannes Kretz |
Multi Sensor tracking for Live sound Transformation. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Wendy Suiter |
The Fuzziness of 'expression' in Relation to Algorithmic Music. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Hiroki Nishino, Naotoshi Osaka, Ryohei Nakatsu |
Unit-Generators Considered Harmful (for Microsound synthesis): a Novel Programming Model for Microsound synthesis in Lcsynth. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Israel Neuman |
Generative Grammars for Interactive Composition Based on Schaeffer's TARTYP. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Bongjun Kim, Woon Seung Yeo |
Probabilistic Prediction of rhythmic characteristics in Markov Chain-Based Melodic Sequences. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Nils Iver Holtar, Mark J. Nelson, Julian Togelius |
Audioverdrive: Exploring Bidirectional Communication between Music and gameplay. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Stuart James, Cat Hope |
2D and 3D Timbral spatialisation: Spatial motion, Immersiveness, and Notions of Space. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Toby Gifford, Andrew R. Brown, Robert Davidson |
Amplifying Compositional Intelligence: Creating with a Psychologically-Inspired Generative Music System. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Naotoshi Osaka, Hiromichi Tsuda, Yoshitada Yamada |
Construction of an Electronic Timbre Dictionary in C++ for Multiple Platforms. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Mika Kuuskankare, Sara Adhitya |
From Musical Score to Graphic Plan: the Development of Sum as a Design Tool. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Antonio D'Amato |
Synesthesia: Composing from Images with noise shaping synthesis. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Walter Cianciusi |
Max Neuhaus: Pioneer of Invisible and (Almost) Inaudible sound Installations. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | |
A Bridge from Nowhere (8'44''). |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Jonathan P. Forsyth, Braxton Boren, Rebecca Feynberg, Tae Hong Park |
NYU Music Technology Studio Report. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Lonce Wyse, Pallav Shinghal |
Sonicbard - Storytelling with Real-Time sound control, synthesis and Processing using Emerging Browser-Based Technologies. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Mo H. Zareei, Ajay Kapur, Dale A. Carnegie |
Noise on the Grid: rhythmic pulse in Experimental and Electronic noise Music. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Sever Tipei |
Composing with Sieves: Structure and Indeterminacy in-Time. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Jae Hyun Ahn, Richard Dudas |
Musical Applications of Nested Comb filters for Inharmonic resonator effects. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Oliver Hödl, Geraldine Fitzpatrick |
Exploring the Design Space of hand-Controlled Guitar effects for Live Music. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Bongjun Kim, Woon Seung Yeo |
Probabilistic Prediction of rhythmic characteristics in Markov Chain-Based Melodic Sequences. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Rafael Valle |
Gradual control of harmonicity in the Context of frequency modulation. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Simon Lui |
A Music Timbre Self-Training Tool on Mobile Device using Volume Normalized Simplified spectral Information. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Charles Martin 0001 |
Integrating Mobile Music with Percussion Performance Practice. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | W. Scott Deal, Javier Sánchez |
Integration of Machine Learning Algorithms in the Computer-acoustic Composition Goldstream variations. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | James Savage |
Developing a chromatic Interface for Real-Time Digital Harmonisation of Saxophone Performance. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Tsung-Ching Liu, Cheng-Han Yang, Bing-Shr Yan |
Glass tube Gamelan Design for Preparation on Installation Art Applications. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Jongwoo Yim, Richard Dudas |
Studio Report: Creama - Center for Research in electro-acoustic Music and audio at Hanyang University. |
ICMC |
2013 |
DBLP BibTeX RDF |
|
1 | Adam M. Smith 0001 |
Strange Loops in CFML: a Livecoder's Riddle. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Lauren Hayes |
Performing articulation and expression through a Haptic Interface. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Robin Renwick |
Sourcenode: a Network sourced Approach to Network Music Performance (NMP). |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Axel Berndt |
Variance in repetitive Games Music. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Lonce Wyse, Srikumar Subramanian |
Foundations of Interactive sound Design for Traditional Storytelling. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Sylvain Le Groux, Paul F. M. J. Verschure |
The Smuse: an Embodied Cognition Approach to Interactive Music Composition. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Eric Smialek, Philippe Depalle, David Brackett |
A spectrographic Analysis of vocal Techniques in Extreme metal for Musicological Analysis. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Gary S. Kendall, Christopher Haworth, Rodrigo F. Cádiz |
Sound synthesis with auditory distortion Products. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Andrea Valle, Dario Sanfilippo |
Towards a Typology of feedback Systems. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Arshia Cont, José Echeveste, Jean-Louis Giavitto, Florent Jacquemard |
Correct Automatic Accompaniment Despite Machine listening or Human errors in Antescofo. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Jordan Hochenbaum, Ajay Kapur |
Nuance: a Software Tool for Capturing Synchronous Data Streams from Multimodal Musical Systems. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Alex McLean, Hester Reeve |
Live Notation: acoustic resonance? |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Benjamin D. Smith, Guy E. Garnett |
Advancing Expert Human-Computer Interaction through Music. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Gabrielle Odowichuk, George Tzanetakis |
Browsing Music and sound using gestures in a Self-Organized 3D Space. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Lindsay Vickery |
Digital Adaptions of the Scores for cage variations I, II and III. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Anastasia Georgaki, George Kosteletos |
A Turing Test for the singing voice as an Anthropological Tool: epistemological and Technical Issues. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Christos Michalakos |
The Augmented Drum Kit: an Intuitive Approach to Live Electronic Percussion Performance. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Graham Booth, Michael Gurevich |
Proceeding from Performance: an ethnography of the Birmingham Laptop Ensemble. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Mara Helmuth, Joel W. Matthys, Paul Schuette, Sangbong Nam, Benny Martinson |
Center for Computer Music at the College-Conservatory of Music, University of Cincinnati. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Katerina Pejoska |
Technology Penetrates Tradition: Introduction of Music Technology in Macedonia. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Alexander Harker, Pierre Alexandre Tremblay |
The Hisstools impulse response Toolbox: convolution for the Masses. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Dariusz Jackowski, Jakub Stepniewicz |
Playing with Lights: Music Generation using the LED Cube. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Rhys Perkins |
Towards Interactive Sonification Based on Real-Time Physics simulations. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Curtis McKinney, Chad McKinney |
Oscthulhu: Applying video Game State-Based Synchronization to Network Computer Music. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Stefano Fasciani, Lonce Wyse |
Adapting General Purpose Interfaces to synthesis Engines using Unsupervised Dimensionality Reduction Techniques and inverse Mapping from Features to parameters. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Jérôme Nika, Marc Chemillier |
Improtek: Integrating harmonic Controls into Improvisation in the filiation of Omax. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Rodrigo F. Cádiz, Marco Colasso |
Osc-NetLogo: a Tool for Exploring the Sonification of Complex Systems using NetLogo. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Abbas Pirnia, Jon McCormack |
Compressed Multidimensional Trees for Evolutionary Music Representation. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Richard Hoadley |
Calder's Violin: Real-Time Notation and Performance through Musically Expressive Algorithms. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Charlie Roberts, JoAnn Kuchera-Morin |
Gibber: Live coding audio in the Browser. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Verena Thomas, Michael Clausen |
Motifviewer: Hierarchical Pattern Detection. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Luca Holland |
'Soundexplore: Leeds': towards a Greater engagement with soundscapes. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Gordan Krekovic, Igor Brkic |
Controlling Dynamic stochastic synthesis with an audio signal. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Mark Granroth-Wilding, Mark Steedman |
Statistical Parsing for harmonic Analysis of Jazz Chord Sequences. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Michael Edwards |
An Introduction to slippery chicken. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Verena Thomas, David Damm, Christian Fremerey, Michael Clausen, Frank Kurth, Meinard Müller |
Probado Music: a Multimodal Online Music Library. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Samuel Aaron, Jenny Judge |
Snapshots: New Possibilities for Social Digital Music-Making arising from the Storage of History. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Rob Canning |
Real-Time Web Technologies in the Networked Performance Environment. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | James B. Maxwell, Arne Eigenfeldt, Philippe Pasquier |
Manuscore: Music Notation-Based Computer Assisted Composition. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Kia Ng, Joanne L. Armitage, Paul Halpin, Kyle Hudspeth, Phoebe Bakanas, Joel Balmer |
Mconduct: transcending Domains and Distributed Performance. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Alistair McNichol |
Modern Technology and Creativity: an Approach to Composing at 11-14 Years. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Thomas Grill, Arthur Flexer |
Visualization of perceptual qualities in Textural sounds. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Rob van Rijswijk, Jeroen Strijbos, Niels Bogaards |
Walk with me: a Work of pointless Curiosity. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Marko Ciciliani |
Musical Experience beyond audible sound and its Relevance for electro-acoustic Composition. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Mika Kuuskankare, Sara Adhitya |
The Sum Tool as a Visual controller for Image-Based sound synthesis. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Scott Hewitt, Alexander Harker |
Security in Network Connected Performance Environments. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Sébastien Schiesser, Jan C. Schacher |
Sabre: affordances, realizations and Perspectives. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Christopher Dobrian |
A Method for Computer characterization of "Gesture" in Musical Improvisation. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Edgar Berdahl, Alexandros Kontogeorgakopoulos |
Engraving-Hammering-Casting: Exploring the Sonic-Ergotic Medium for Live Musical Performance. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Sinan Bökesoy |
Presenting 'Cosmosf' as a Case Study of audio Application Design in openFrameworks. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Andrea Agostini, Daniele Ghisi |
Bach: an Environment for Computer-Aided Composition in Max. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Adinda Rosa van't Klooster |
Music as a Mediator of Emotion. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Tom Mudd |
Flexibility, Subtlety and Spontaneity in New Instrument Design: the feedback Joypad. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Ciril Bohak, Masahiro Niitsuma, Matija Marolt |
Controlling Mozart's Dice Music using acceleration sensors. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Marcelo F. Caetano, Naotoshi Osaka |
A Formal Evaluation Framework for sound Morphing. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Vesa Norilo |
Kronos as a Visual Development Tool for Mobile Applications. |
ICMC |
2012 |
DBLP BibTeX RDF |
|
1 | Daniele Salvati, Sergio Canazza, Gian Luca Foresti |
A microphone array Interface for Real-Time Interactive Music Performance. |
ICMC |
2012 |
DBLP BibTeX RDF |
|