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Venues (Conferences, Journals, ...)
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GrowBag graphs for keyword ? (Num. hits/coverage)
Group by:
The graphs summarize 3937 occurrences of 1678 keywords
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Results
Found 24638 publication records. Showing 24614 according to the selection in the facets
Hits ?▲ |
Authors |
Title |
Venue |
Year |
Link |
Author keywords |
26 | Kerstin Neubarth, Darrell Conklin |
Contrast Pattern Mining in Folk Music Analysis. |
Computational Music Analysis |
2016 |
DBLP DOI BibTeX RDF |
|
26 | David Meredith 0001 |
Analysing Music with Point-Set Compression Algorithms. |
Computational Music Analysis |
2016 |
DBLP DOI BibTeX RDF |
|
26 | Dorien Herremans, David Martens, Kenneth Sörensen |
Composer Classification Models for Music-Theory Building. |
Computational Music Analysis |
2016 |
DBLP DOI BibTeX RDF |
|
26 | Victor Lazzarini, Damián Keller, Marcelo Soares Pimenta, Joseph Timoney |
Ubiquitous Music Ecosystems: Faust Programs in Csound. |
Ubiquitous Music |
2014 |
DBLP DOI BibTeX RDF |
|
26 | Victor Lazzarini, Edward Costello, Steven Yi, John ffitch |
Development Tools for Ubiquitous Music on the World Wide Web. |
Ubiquitous Music |
2014 |
DBLP DOI BibTeX RDF |
|
26 | Tae Hun Kim, Satoru Fukayama, Takuya Nishimoto, Shigeki Sagayama |
Statistical Approach to Automatic Expressive Rendition of Polyphonic Piano Music. |
Guide to Computing for Expressive Music Performance |
2013 |
DBLP DOI BibTeX RDF |
|
26 | Anna Xambó, Robin C. Laney, Chris Dobbyn, Sergi Jordà |
Video Analysis for Evaluating Music Interaction: Musical Tabletops. |
Music and Human-Computer Interaction |
2013 |
DBLP DOI BibTeX RDF |
|
26 | Anna Bramwell-Dicks, Helen Petrie, Alistair D. N. Edwards, Christopher Power |
Affective Musical Interaction: Influencing Users' Behaviour and Experiences with Music. |
Music and Human-Computer Interaction |
2013 |
DBLP DOI BibTeX RDF |
|
26 | Jorge Solis, Atsuo Takanishi |
Anthropomorphic Musical Robots Designed to Produce Physically Embodied Expressive Performances of Music. |
Guide to Computing for Expressive Music Performance |
2013 |
DBLP DOI BibTeX RDF |
|
26 | Rafael Ramírez 0001, Esteban Maestre, Alfonso Pérez |
Modeling, Analyzing, Identifying, and Synthesizing Expressive Popular Music Performances. |
Guide to Computing for Expressive Music Performance |
2013 |
DBLP DOI BibTeX RDF |
|
26 | Masatoshi Hamanaka, Keiji Hirata 0001, Satoshi Tojo |
Computational Music Theory and Its Applications to Expressive Performance and Composition. |
Guide to Computing for Expressive Music Performance |
2013 |
DBLP DOI BibTeX RDF |
|
26 | James McDermott, Toby Gifford, Anders Bouwer, Mark Wagy |
Should Music Interaction Be Easy? |
Music and Human-Computer Interaction |
2013 |
DBLP DOI BibTeX RDF |
|
26 | Marco Fabiani, Anders Friberg, Roberto Bresin |
Systems for Interactive Control of Computer Generated Music Performance. |
Guide to Computing for Expressive Music Performance |
2013 |
DBLP DOI BibTeX RDF |
|
26 | Alexis Kirke, Eduardo R. Miranda |
An Overview of Computer Systems for Expressive Music Performance. |
Guide to Computing for Expressive Music Performance |
2013 |
DBLP DOI BibTeX RDF |
|
26 | Katie Wilkie, Simon Holland, Paul Mulholland |
Towards a Participatory Approach for Interaction Design Based on Conceptual Metaphor Theory: A Case Study from Music Interaction. |
Music and Human-Computer Interaction |
2013 |
DBLP DOI BibTeX RDF |
|
26 | Toby Gifford |
Appropriate and Complementary Rhythmic Improvisation in an Interactive Music System. |
Music and Human-Computer Interaction |
2013 |
DBLP DOI BibTeX RDF |
|
26 | Roberto Bresin, Anders Friberg |
Evaluation of Computer Systems for Expressive Music Performance. |
Guide to Computing for Expressive Music Performance |
2013 |
DBLP DOI BibTeX RDF |
|
26 | Dan Stowell, Alex McLean |
Live Music-Making: A Rich Open Task Requires a Rich Open Interface. |
Music and Human-Computer Interaction |
2013 |
DBLP DOI BibTeX RDF |
|
26 | Eduardo R. Miranda, Alexis Kirke, Qijun Zhang |
Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach. |
Guide to Computing for Expressive Music Performance |
2013 |
DBLP DOI BibTeX RDF |
|
26 | Julio D'Escrivàn |
Electronic music and the moving image. |
The Cambridge Companion to Electronic Music |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Sergi Jordà |
Interactivity and live computer music. |
The Cambridge Companion to Electronic Music |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Petri Toiviainen |
The psychology of electronic music. |
The Cambridge Companion to Electronic Music |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Margaret Schedel |
Electronic music and the studio. |
The Cambridge Companion to Electronic Music |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Andrew Hugill |
The origins of electronic music. |
The Cambridge Companion to Electronic Music |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Natasha Barrett |
Trends in electroacoustic music. |
The Cambridge Companion to Electronic Music |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Julian Rohrhuber |
Network music. |
The Cambridge Companion to Electronic Music |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Nicolas Collins |
Live electronic music. |
The Cambridge Companion to Electronic Music |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Ge Wang |
A history of programming and music. |
The Cambridge Companion to Electronic Music |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Markus Schedl, Sebastian Stober, Emilia Gómez, Nicola Orio, Cynthia C. S. Liem |
User-Aware Music Retrieval. |
Multimodal Music Processing |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Roger B. Dannenberg |
Human Computer Music Performance. |
Multimodal Music Processing |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Cynthia C. S. Liem, Andreas Rauber, Thomas Lidy, Richard Lewis 0001, Christopher Raphael, Joshua D. Reiss, Tim Crawford, Alan Hanjalic |
Music Information Technology and Professional Stakeholder Audiences: Mind the Adoption Gap. |
Multimodal Music Processing |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Slim Essid, Gaël Richard |
Fusion of Multimodal Information in Music Content Analysis. |
Multimodal Music Processing |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Verena Konz, Meinard Müller |
A Cross-Version Approach for Harmonic Analysis of Music Recordings. |
Multimodal Music Processing |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Felix Weninger, Björn W. Schuller, Cynthia C. S. Liem, Frank Kurth, Alan Hanjalic |
Music Information Retrieval: An Inspirational Guide to Transfer from Related Disciplines. |
Multimodal Music Processing |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Sebastian Ewert, Meinard Müller |
Score-Informed Source Separation for Music Signals. |
Multimodal Music Processing |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Peter Grosche, Meinard Müller, Joan Serrà |
Audio Content-Based Music Retrieval. |
Multimodal Music Processing |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Masataka Goto |
Grand Challenges in Music Information Research. |
Multimodal Music Processing |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Verena Thomas, Christian Fremerey, Meinard Müller, Michael Clausen |
Linking Sheet Music and Audio - Challenges and New Approaches. |
Multimodal Music Processing |
2012 |
DBLP DOI BibTeX RDF |
|
26 | Tetsuro Kitahara |
Mid-level Representations of Musical Audio Signals for Music Information Retrieval. |
Advances in Music Information Retrieval |
2010 |
DBLP DOI BibTeX RDF |
|
26 | Jaroslaw Wójcik, Bozena Kostek |
Representations of Music in Ranking Rhythmic Hypotheses. |
Advances in Music Information Retrieval |
2010 |
DBLP DOI BibTeX RDF |
|
26 | Marcus T. Pearce, Daniel Müllensiefen, Geraint A. Wiggins |
Melodic Grouping in Music Information Retrieval: New Methods and Applications. |
Advances in Music Information Retrieval |
2010 |
DBLP DOI BibTeX RDF |
|
26 | J. Stephen Downie, Andreas F. Ehmann, Mert Bay, M. Cameron Jones |
The Music Information Retrieval Evaluation eXchange: Some Observations and Insights. |
Advances in Music Information Retrieval |
2010 |
DBLP DOI BibTeX RDF |
|
26 | Wenxin Jiang 0002, Zbigniew W. Ras, Alicja Wieczorkowska |
Clustering Driven Cascade Classifiers for Multi-indexing of Polyphonic Music by Instruments. |
Advances in Music Information Retrieval |
2010 |
DBLP DOI BibTeX RDF |
|
26 | Rainer Typke, Agatha Walczak-Typke |
Indexing Techniques for Non-metric Music Dissimilarity Measures. |
Advances in Music Information Retrieval |
2010 |
DBLP DOI BibTeX RDF |
|
26 | Riccardo Miotto, Nicola Montecchio, Nicola Orio |
Statistical Music Modeling Aimed at Identification and Alignment. |
Advances in Music Information Retrieval |
2010 |
DBLP DOI BibTeX RDF |
|
26 | Alicja Wieczorkowska, Ashoke Kumar Datta, Ranjan Sengupta, Nityananda Dey, Bhaswati Mukherjee |
On Search for Emotion in Hindusthani Vocal Music. |
Advances in Music Information Retrieval |
2010 |
DBLP DOI BibTeX RDF |
|
26 | Rudolf Mayer, Andreas Rauber |
Multimodal Aspects of Music Retrieval: Audio, Song Lyrics - and Beyond? |
Advances in Music Information Retrieval |
2010 |
DBLP DOI BibTeX RDF |
|
26 | Eleanor Selfridge-Field, Frans Wiering, Geraint A. Wiggins |
09051 Abstracts Collection - Knowledge representation for intelligent music processing. |
Knowledge Representation for Intelligent Music Processing |
2009 |
DBLP BibTeX RDF |
|
26 | Alan Marsden |
Ambiguity and Multiplicity in Music Representation. |
Knowledge Representation for Intelligent Music Processing |
2009 |
DBLP BibTeX RDF |
|
26 | Christian Fremerey, Meinard Müller, Michael Clausen |
Towards Bridging the Gap between Sheet Music and Audio. |
Knowledge Representation for Intelligent Music Processing |
2009 |
DBLP BibTeX RDF |
|
26 | Sebastian Ewert, Meinard Müller, Daniel Müllensiefen, Michael Clausen, Geraint A. Wiggins |
Case Study "Beatles Songs" - What can be Learned from Unreliable Music Alignments? |
Knowledge Representation for Intelligent Music Processing |
2009 |
DBLP BibTeX RDF |
|
26 | Yoshiaki Itoh 0001, Akira Iwabuchi, Kazunori Kojima, Masaaki Ishigame, Kazuyo Tanaka, Shi-wook Lee |
Automatic Music Boundary Detection Using Short Segmental Acoustic Similarity in a Music Piece. |
EURASIP J. Audio Speech Music. Process. |
2008 |
DBLP DOI BibTeX RDF |
|
26 | A. William Smith |
3rd Spark Festival of Electronic Music and Art School of Music, University of Minnesota, Minneapolis, Minnesota, USA, 16-20 February 2005. |
Comput. Music. J. |
2005 |
DBLP DOI BibTeX RDF |
|
26 | Andrew Marshall |
Workshop in Algorithmic Computer Music 2004 Music Center, University of California, Santa Cruz, USA; 25 June-9 July 2004. |
Comput. Music. J. |
2005 |
DBLP DOI BibTeX RDF |
|
26 | Ian Whalley |
International Computer Music Conference 2003: Paper Sessions Yong Siew Toh Conservatory of Music, National University of Singapore, 29 September-4 October, 2003. |
Comput. Music. J. |
2004 |
DBLP DOI BibTeX RDF |
|
26 | Ross Feller |
David Toop, Curator: Not Necessarily "English Music": A Collection of Experimental Music from Great Britain, 1960-1977. |
Comput. Music. J. |
2004 |
DBLP DOI BibTeX RDF |
|
26 | Frode Holm |
Believe in Music: NAMM Show 2004 International Music Products Association, Anaheim Convention Center, Anaheim, California, USA, 15-18 January 2004. |
Comput. Music. J. |
2004 |
DBLP DOI BibTeX RDF |
|
26 | David Bithell |
East Meets Left: Fourth Annual San Francisco Electronic Music Festival Evening of fixed-media compositions presented by The New San Francisco Tape Music Center, Som Arts, San Francisco, California, USA, 27 July 2003. |
Comput. Music. J. |
2004 |
DBLP DOI BibTeX RDF |
|
26 | Keiji Hirata 0001, Tatsuya Aoyagi |
Computational Music Representation Based on the Generative Theory of Tonal Music and the Deductive Object-Oriented Database. |
Comput. Music. J. |
2003 |
DBLP DOI BibTeX RDF |
|
26 | Alexia Rosari |
Sonic Circuits X Boston International Electronic Music Festival American Composers Forum Boston Chapter, Boston Cyberarts Festival, Berklee College of Music, Boston, Massachusetts, USA, 12 March/27 April/4 May 2003. |
Comput. Music. J. |
2003 |
DBLP DOI BibTeX RDF |
|
26 | Benjamin R. Levy |
Electroacoustic Music: The Continuing Tradition Electroacoustic Music Festival at the University of Maryland, College Park, Maryland, USA 20-22 February 2002. |
Comput. Music. J. |
2002 |
DBLP DOI BibTeX RDF |
|
26 | Jonathan Segel |
New San Francisco Tape Music Center: Transparent Tape Music Festival Transparent Theater, Berkeley, California, USA, 11-12 January 2002. |
Comput. Music. J. |
2002 |
DBLP DOI BibTeX RDF |
|
26 | Sean Ferguson |
Donald A. Hodges, editor: Handbook of Music Psychology, 2nd Edition Softcover, 2000, ISBN 0-9648803-0-X, 589 pages, illustrated, references, author index, subject index, CD-ROM; MMB Music, Inc., Contemporary Arts Building, 3526 Washington Avenue, Saint Louis, Missouri 63103-1019, USA. |
Comput. Music. J. |
2002 |
DBLP DOI BibTeX RDF |
|
26 | Robert Rowe |
Eduardo Reck Miranda: Composing Music with Computers Softcover, 2001, ISBN 0195058348, xvii + 411 pages, illustrated, bibliography, glossary of rules, subject index, subject index, Focal Press Music Technology Series, US$ 49.95, CD-ROM; Butterworth-Heinenmann, Linacre House, Jordan Hill, Oxford OX2 8DP, UK, or 225 Wildwood Avenue, Woburn, Massachusetts 01801, USA; telephone (+1) 781-904-2500; fax (+1) 781-904-2620; electronic mail orders@bhusa.com; Web www.focalpress.com/. |
Comput. Music. J. |
2002 |
DBLP DOI BibTeX RDF |
|
26 | Robert A. Moog, Ann Warde |
Albert Glinsky: Theremin: Ether Music and Espionage Hardcover, 2000, ISBN 0-252-02582-2, 403 pages, foreword by Robert Moog, illustrated, notes, bibliography, University of Illinois Press Music in American Life series; University of Illinois Press, 1325 South Oak Street, Champaign, Illinois 61820-6903, USA; telephone (+1) 217-333-0950; fax (+1) 217-244-8082; electronic mail uipress@uillinois.edu; World Wide Web www.press.uillinois.edu/. |
Comput. Music. J. |
2002 |
DBLP DOI BibTeX RDF |
|
26 | Oliver Schneller |
DEGEM: Klangkunst in Deutschland (Sonic Arts in Germany) CD-ROM, 2000, Wergo T 5150; available from Schott Music & Media, GmbH, Weihergarten 5, 55116 Mainz, Germany; telephone (+49) 6131-246-883/888; fax (+49) 6131-246-252; World Wide Web www.schott-music.com. |
Comput. Music. J. |
2002 |
DBLP DOI BibTeX RDF |
|
26 | Ian Whalley |
Jürgen Bräuninger, Curator: Southern Cones: Music Out of Africa and South America Compact disc, Leonardo Music Journal CD Series Volume 10, 2000; available from Leonardo, The MIT Press Journals, Five Cambridge Cen-ter, Cambridge, Massachusetts 02142-1493, USA; telephone (+1) 800-356-0343; electronic mail journals-orders@mit.edu; Web muse.jhu.edu/journals/lmj/. |
Comput. Music. J. |
2002 |
DBLP DOI BibTeX RDF |
|
26 | Ross Feller |
Evan Parker, Ghost-in-the-Machine: New Excursions Compact disc Ninth World Music NWM 019, 1998; available from Ninth World Music, Humlebaekvej 56, DK-3480 Fredensborg, Denmark; Evan Parker Electro-Acoustic Ensemble: Drawn Inward. |
Comput. Music. J. |
2001 |
DBLP DOI BibTeX RDF |
|
26 | Thomas Gerwin |
Music for Humans: International Computer Music Conference 2000 "Gateways to Creativity" Berlin, Germany, 27 August 1 September 2000. |
Comput. Music. J. |
2001 |
DBLP DOI BibTeX RDF |
|
26 | Frode Holm |
NAMM 2001 International Music Market International Music Products Association, Convention Center, Anaheim, California, USA, 18-21 January 2001. |
Comput. Music. J. |
2001 |
DBLP DOI BibTeX RDF |
|
26 | William Hussey |
Technology and Teaching Music 1999 Annual Meeting for the Association for Technology in Music Instruction, Denver, Colorado, USA, 14-17 October 1999. |
Comput. Music. J. |
2000 |
DBLP DOI BibTeX RDF |
|
26 | James Harley |
Jan Boerman: The Complete Tape Music Dick Raaijmakers: The Complete Tape Music. |
Comput. Music. J. |
2000 |
DBLP DOI BibTeX RDF |
|
26 | James Bohn |
CyberQuilt: An ICMA CD-ROM Anthology CD-ROM (for Macintosh), 1999, ICMA CDR001; available from International Computer Music Association, 2040 Polk St., Suite 330, San Francisco, California 94109, USA; telephone (650) 493-9448; fax (650) 493-8045; electronic mail ICMA@email.sjsu.edu; World Wide Web music.dartmouth.edu/∼icma/. |
Comput. Music. J. |
2000 |
DBLP DOI BibTeX RDF |
|
26 | Martin Gieseking, Albert Gräf |
Global Village - Global Brain - Global Music 5th Annual KlangArt "New Music Technology" Congress, Osnabrück, Germany, 10-13 June 1999. |
Comput. Music. J. |
2000 |
DBLP DOI BibTeX RDF |
|
26 | Philip C. Baczewski |
CDCM Computer Music Series, Vol. 28: Larry Austin: Sound Plays, Cityscapes, Sound Portraits - 1993-96 Compact disc, 1999, Centaur CRC 2428; available from CDCM, P.O. Box 50888, Denton, Texas 76206, USA; telephone (940) 591-8128; electronic mail cdcm@sndart.cemi.unt.edu; World Wide Web www.music.unt.edu/CDCM/newcdccat.html#28. |
Comput. Music. J. |
2000 |
DBLP DOI BibTeX RDF |
|
26 | Alcides Lanza |
Allen Strange, Mickey Helms, Brian Belet, Michael Frengel, Dan Wyman, Doug Michael, Pablo Furman: Music from CREAM: Music for Players and Digital Media (CDMC Vol. 26) Compact disc, 1998, Centaur CRC 2404; available from Centaur Records, Inc., 8867 Highland Rd., Suite 206, Baton Rouge, Louisiana 70808, USA; telephone (225) 336-4877; fax (225) 336-9678; electronic mail info@centaurrecords.com; World Wide Web www.centaurrecords.com. |
Comput. Music. J. |
2000 |
DBLP DOI BibTeX RDF |
|
26 | Simon Holland |
Artificial Intelligence in Music Education: A Critical Review. |
Readings in Music and Artificial Intelligence |
2000 |
DBLP BibTeX RDF |
|
26 | Roger B. Dannenberg |
Dynamic Programming for Interactive Music Systems. |
Readings in Music and Artificial Intelligence |
2000 |
DBLP BibTeX RDF |
|
26 | Alan Marsden |
Music, Intelligence and Artificiality. |
Readings in Music and Artificial Intelligence |
2000 |
DBLP BibTeX RDF |
|
26 | Matt Smith |
Artificial Intelligence and Music Education. |
Readings in Music and Artificial Intelligence |
2000 |
DBLP BibTeX RDF |
|
26 | Petri Toiviainen |
Symbolic AI versus Connectionism in Music Research. |
Readings in Music and Artificial Intelligence |
2000 |
DBLP BibTeX RDF |
|
26 | Carlos Gustavo Guerra |
The Mechanization of Intelligence and the Human Aspects of Music. |
Readings in Music and Artificial Intelligence |
2000 |
DBLP BibTeX RDF |
|
26 | Robert Rowe |
Interactive Music Systems in Ensemble Performance. |
Readings in Music and Artificial Intelligence |
2000 |
DBLP BibTeX RDF |
|
26 | Gerhard Widmer |
On the Potential of Machine Learning for Music Research. |
Readings in Music and Artificial Intelligence |
2000 |
DBLP BibTeX RDF |
|
26 | Carlos Palombini |
The Fifth Brazilian Symposium on Computer Music: Super and Parallel Computing Applied to Music. |
Comput. Music. J. |
1999 |
DBLP DOI BibTeX RDF |
|
26 | Joel Chadabe |
The 1999 NAMM International Music Market International Music Products Association, Los Angeles, California, USA, 28-31 January 1999. |
Comput. Music. J. |
1999 |
DBLP DOI BibTeX RDF |
|
26 | Brian K. Smith, William H. Smith Jr. |
Uncovering Cognitive Processes in Music Composition: Educational and Computational Approaches. |
Music Education: An Artificial Intelligence Approach |
1993 |
DBLP DOI BibTeX RDF |
|
26 | Kenny R. Coventry, Tim Blackwell |
Pragmatics in Language and Music. |
Music Education: An Artificial Intelligence Approach |
1993 |
DBLP DOI BibTeX RDF |
|
26 | Alan Smaill, Geraint A. Wiggins, Eduardo Reck Miranda |
Music Representation - Between the Musician and the Computer. |
Music Education: An Artificial Intelligence Approach |
1993 |
DBLP DOI BibTeX RDF |
|
26 | Naoki Yasuraoka, Takehiro Abe, Katsutoshi Itoyama, Toru Takahashi 0001, Tetsuya Ogata, Hiroshi G. Okuno |
Changing timbre and phrase in existing musical performances as you like: manipulations of single part using harmonic and inharmonic models. |
ACM Multimedia |
2009 |
DBLP DOI BibTeX RDF |
music manipulation, performance rendering, sound source extraction, timbre mixing, signal processing |
26 | Jacek Wolkowicz, Malcolm I. Heywood, Vlado Keselj |
Evolving Indirectly Represented Melodies with Corpus-Based Fitness Evaluation. |
EvoWorkshops |
2009 |
DBLP DOI BibTeX RDF |
Music generation, unigrams, generational genetic algorithms, automatic fitness assessment, MIDI, Steady-state genetic algorithms |
26 | Somnuk Phon-Amnuaisuk |
Composing Using Heterogeneous Cellular Automata. |
EvoWorkshops |
2009 |
DBLP DOI BibTeX RDF |
Composing by heterogeneous cellular automata, Automatic music generation, Chorales, Dynamic neural networks |
26 | Mark Blythe, Peter C. Wright |
Technology scruples: why intimidation will not save the recording industry and how enchantment might. |
Pers. Ubiquitous Comput. |
2008 |
DBLP DOI BibTeX RDF |
Digital reproduction, Experience centred design, Music, Ethics, Copyright, Grounded theory, Enchantment |
26 | Christoph Dalitz, Michael Droettboom, Bastian Pranzas, Ichiro Fujinaga |
A Comparative Study of Staff Removal Algorithms. |
IEEE Trans. Pattern Anal. Mach. Intell. |
2008 |
DBLP DOI BibTeX RDF |
Music (Optical Recognition), Performance evaluation, Segmentation, Pixel classification |
26 | Charles Inskip, Andy MacFarlane, Pauline Rafferty |
Content or context?: searching for musical meaning in task-based interactive information retrieval. |
IIiX |
2008 |
DBLP DOI BibTeX RDF |
communication, relevance, music information retrieval, users, meaning |
26 | Zefir Kurtisi, Xiaoyuan Gu, Lars C. Wolf |
Video demo: NMP with SDSL access network. |
ACM Multimedia |
2008 |
DBLP DOI BibTeX RDF |
audio delivery, network entertainment, music, digital audio |
26 | Quoc V. Vy, Jorge A. Mori, David W. Fourney, Deborah I. Fels |
EnACT: A Software Tool for Creating Animated Text Captions. |
ICCHP |
2008 |
DBLP DOI BibTeX RDF |
kinetic text, animation, Music visualization |
26 | Rolf Inge Godøy |
Geometry and Effort in Gestural Renderings of Musical Sound. |
Gesture Workshop |
2007 |
DBLP DOI BibTeX RDF |
perception-action, key-postures, gestures, perception, Music, geometry, movement, effort |
26 | Jun Usui, Hirotaka Hatayama, Naohito Okude |
Quatronome: a stomp box for jam session with movies. |
Advances in Computer Entertainment Technology |
2007 |
DBLP DOI BibTeX RDF |
stomp box, design, ubiquitous computing, music, sound |
26 | Stephen Barrass, Tim Barrass |
Musical creativity in collaborative virtual environments. |
Virtual Real. |
2006 |
DBLP DOI BibTeX RDF |
Sound art, Performance, Interaction, Creativity, Music, CVE |
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