Search results for "music"

Hits ?▲	Authors	Title	Venue	Year	Link	Author keywords
26	Kerstin Neubarth, Darrell Conklin	Contrast Pattern Mining in Folk Music Analysis.	Computational Music Analysis	2016	DBLP DOI BibTeX RDF
26	David Meredith 0001	Analysing Music with Point-Set Compression Algorithms.	Computational Music Analysis	2016	DBLP DOI BibTeX RDF
26	Dorien Herremans, David Martens, Kenneth Sörensen	Composer Classification Models for Music-Theory Building.	Computational Music Analysis	2016	DBLP DOI BibTeX RDF
26	Victor Lazzarini, Damián Keller, Marcelo Soares Pimenta, Joseph Timoney	Ubiquitous Music Ecosystems: Faust Programs in Csound.	Ubiquitous Music	2014	DBLP DOI BibTeX RDF
26	Victor Lazzarini, Edward Costello, Steven Yi, John ffitch	Development Tools for Ubiquitous Music on the World Wide Web.	Ubiquitous Music	2014	DBLP DOI BibTeX RDF
26	Tae Hun Kim, Satoru Fukayama, Takuya Nishimoto, Shigeki Sagayama	Statistical Approach to Automatic Expressive Rendition of Polyphonic Piano Music.	Guide to Computing for Expressive Music Performance	2013	DBLP DOI BibTeX RDF
26	Anna Xambó, Robin C. Laney, Chris Dobbyn, Sergi Jordà	Video Analysis for Evaluating Music Interaction: Musical Tabletops.	Music and Human-Computer Interaction	2013	DBLP DOI BibTeX RDF
26	Anna Bramwell-Dicks, Helen Petrie, Alistair D. N. Edwards, Christopher Power	Affective Musical Interaction: Influencing Users' Behaviour and Experiences with Music.	Music and Human-Computer Interaction	2013	DBLP DOI BibTeX RDF
26	Jorge Solis, Atsuo Takanishi	Anthropomorphic Musical Robots Designed to Produce Physically Embodied Expressive Performances of Music.	Guide to Computing for Expressive Music Performance	2013	DBLP DOI BibTeX RDF
26	Rafael Ramírez 0001, Esteban Maestre, Alfonso Pérez	Modeling, Analyzing, Identifying, and Synthesizing Expressive Popular Music Performances.	Guide to Computing for Expressive Music Performance	2013	DBLP DOI BibTeX RDF
26	Masatoshi Hamanaka, Keiji Hirata 0001, Satoshi Tojo	Computational Music Theory and Its Applications to Expressive Performance and Composition.	Guide to Computing for Expressive Music Performance	2013	DBLP DOI BibTeX RDF
26	James McDermott, Toby Gifford, Anders Bouwer, Mark Wagy	Should Music Interaction Be Easy?	Music and Human-Computer Interaction	2013	DBLP DOI BibTeX RDF
26	Marco Fabiani, Anders Friberg, Roberto Bresin	Systems for Interactive Control of Computer Generated Music Performance.	Guide to Computing for Expressive Music Performance	2013	DBLP DOI BibTeX RDF
26	Alexis Kirke, Eduardo R. Miranda	An Overview of Computer Systems for Expressive Music Performance.	Guide to Computing for Expressive Music Performance	2013	DBLP DOI BibTeX RDF
26	Katie Wilkie, Simon Holland, Paul Mulholland	Towards a Participatory Approach for Interaction Design Based on Conceptual Metaphor Theory: A Case Study from Music Interaction.	Music and Human-Computer Interaction	2013	DBLP DOI BibTeX RDF
26	Toby Gifford	Appropriate and Complementary Rhythmic Improvisation in an Interactive Music System.	Music and Human-Computer Interaction	2013	DBLP DOI BibTeX RDF
26	Roberto Bresin, Anders Friberg	Evaluation of Computer Systems for Expressive Music Performance.	Guide to Computing for Expressive Music Performance	2013	DBLP DOI BibTeX RDF
26	Dan Stowell, Alex McLean	Live Music-Making: A Rich Open Task Requires a Rich Open Interface.	Music and Human-Computer Interaction	2013	DBLP DOI BibTeX RDF
26	Eduardo R. Miranda, Alexis Kirke, Qijun Zhang	Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach.	Guide to Computing for Expressive Music Performance	2013	DBLP DOI BibTeX RDF
26	Julio D'Escrivàn	Electronic music and the moving image.	The Cambridge Companion to Electronic Music	2012	DBLP DOI BibTeX RDF
26	Sergi Jordà	Interactivity and live computer music.	The Cambridge Companion to Electronic Music	2012	DBLP DOI BibTeX RDF
26	Petri Toiviainen	The psychology of electronic music.	The Cambridge Companion to Electronic Music	2012	DBLP DOI BibTeX RDF
26	Margaret Schedel	Electronic music and the studio.	The Cambridge Companion to Electronic Music	2012	DBLP DOI BibTeX RDF
26	Andrew Hugill	The origins of electronic music.	The Cambridge Companion to Electronic Music	2012	DBLP DOI BibTeX RDF
26	Natasha Barrett	Trends in electroacoustic music.	The Cambridge Companion to Electronic Music	2012	DBLP DOI BibTeX RDF
26	Julian Rohrhuber	Network music.	The Cambridge Companion to Electronic Music	2012	DBLP DOI BibTeX RDF
26	Nicolas Collins	Live electronic music.	The Cambridge Companion to Electronic Music	2012	DBLP DOI BibTeX RDF
26	Ge Wang	A history of programming and music.	The Cambridge Companion to Electronic Music	2012	DBLP DOI BibTeX RDF
26	Markus Schedl, Sebastian Stober, Emilia Gómez, Nicola Orio, Cynthia C. S. Liem	User-Aware Music Retrieval.	Multimodal Music Processing	2012	DBLP DOI BibTeX RDF
26	Roger B. Dannenberg	Human Computer Music Performance.	Multimodal Music Processing	2012	DBLP DOI BibTeX RDF
26	Cynthia C. S. Liem, Andreas Rauber, Thomas Lidy, Richard Lewis 0001, Christopher Raphael, Joshua D. Reiss, Tim Crawford, Alan Hanjalic	Music Information Technology and Professional Stakeholder Audiences: Mind the Adoption Gap.	Multimodal Music Processing	2012	DBLP DOI BibTeX RDF
26	Slim Essid, Gaël Richard	Fusion of Multimodal Information in Music Content Analysis.	Multimodal Music Processing	2012	DBLP DOI BibTeX RDF
26	Verena Konz, Meinard Müller	A Cross-Version Approach for Harmonic Analysis of Music Recordings.	Multimodal Music Processing	2012	DBLP DOI BibTeX RDF
26	Felix Weninger, Björn W. Schuller, Cynthia C. S. Liem, Frank Kurth, Alan Hanjalic	Music Information Retrieval: An Inspirational Guide to Transfer from Related Disciplines.	Multimodal Music Processing	2012	DBLP DOI BibTeX RDF
26	Sebastian Ewert, Meinard Müller	Score-Informed Source Separation for Music Signals.	Multimodal Music Processing	2012	DBLP DOI BibTeX RDF
26	Peter Grosche, Meinard Müller, Joan Serrà	Audio Content-Based Music Retrieval.	Multimodal Music Processing	2012	DBLP DOI BibTeX RDF
26	Masataka Goto	Grand Challenges in Music Information Research.	Multimodal Music Processing	2012	DBLP DOI BibTeX RDF
26	Verena Thomas, Christian Fremerey, Meinard Müller, Michael Clausen	Linking Sheet Music and Audio - Challenges and New Approaches.	Multimodal Music Processing	2012	DBLP DOI BibTeX RDF
26	Tetsuro Kitahara	Mid-level Representations of Musical Audio Signals for Music Information Retrieval.	Advances in Music Information Retrieval	2010	DBLP DOI BibTeX RDF
26	Jaroslaw Wójcik, Bozena Kostek	Representations of Music in Ranking Rhythmic Hypotheses.	Advances in Music Information Retrieval	2010	DBLP DOI BibTeX RDF
26	Marcus T. Pearce, Daniel Müllensiefen, Geraint A. Wiggins	Melodic Grouping in Music Information Retrieval: New Methods and Applications.	Advances in Music Information Retrieval	2010	DBLP DOI BibTeX RDF
26	J. Stephen Downie, Andreas F. Ehmann, Mert Bay, M. Cameron Jones	The Music Information Retrieval Evaluation eXchange: Some Observations and Insights.	Advances in Music Information Retrieval	2010	DBLP DOI BibTeX RDF
26	Wenxin Jiang 0002, Zbigniew W. Ras, Alicja Wieczorkowska	Clustering Driven Cascade Classifiers for Multi-indexing of Polyphonic Music by Instruments.	Advances in Music Information Retrieval	2010	DBLP DOI BibTeX RDF
26	Rainer Typke, Agatha Walczak-Typke	Indexing Techniques for Non-metric Music Dissimilarity Measures.	Advances in Music Information Retrieval	2010	DBLP DOI BibTeX RDF
26	Riccardo Miotto, Nicola Montecchio, Nicola Orio	Statistical Music Modeling Aimed at Identification and Alignment.	Advances in Music Information Retrieval	2010	DBLP DOI BibTeX RDF
26	Alicja Wieczorkowska, Ashoke Kumar Datta, Ranjan Sengupta, Nityananda Dey, Bhaswati Mukherjee	On Search for Emotion in Hindusthani Vocal Music.	Advances in Music Information Retrieval	2010	DBLP DOI BibTeX RDF
26	Rudolf Mayer, Andreas Rauber	Multimodal Aspects of Music Retrieval: Audio, Song Lyrics - and Beyond?	Advances in Music Information Retrieval	2010	DBLP DOI BibTeX RDF
26	Eleanor Selfridge-Field, Frans Wiering, Geraint A. Wiggins	09051 Abstracts Collection - Knowledge representation for intelligent music processing.	Knowledge Representation for Intelligent Music Processing	2009	DBLP BibTeX RDF
26	Alan Marsden	Ambiguity and Multiplicity in Music Representation.	Knowledge Representation for Intelligent Music Processing	2009	DBLP BibTeX RDF
26	Christian Fremerey, Meinard Müller, Michael Clausen	Towards Bridging the Gap between Sheet Music and Audio.	Knowledge Representation for Intelligent Music Processing	2009	DBLP BibTeX RDF
26	Sebastian Ewert, Meinard Müller, Daniel Müllensiefen, Michael Clausen, Geraint A. Wiggins	Case Study "Beatles Songs" - What can be Learned from Unreliable Music Alignments?	Knowledge Representation for Intelligent Music Processing	2009	DBLP BibTeX RDF
26	Yoshiaki Itoh 0001, Akira Iwabuchi, Kazunori Kojima, Masaaki Ishigame, Kazuyo Tanaka, Shi-wook Lee	Automatic Music Boundary Detection Using Short Segmental Acoustic Similarity in a Music Piece.	EURASIP J. Audio Speech Music. Process.	2008	DBLP DOI BibTeX RDF
26	A. William Smith	3rd Spark Festival of Electronic Music and Art School of Music, University of Minnesota, Minneapolis, Minnesota, USA, 16-20 February 2005.	Comput. Music. J.	2005	DBLP DOI BibTeX RDF
26	Andrew Marshall	Workshop in Algorithmic Computer Music 2004 Music Center, University of California, Santa Cruz, USA; 25 June-9 July 2004.	Comput. Music. J.	2005	DBLP DOI BibTeX RDF
26	Ian Whalley	International Computer Music Conference 2003: Paper Sessions Yong Siew Toh Conservatory of Music, National University of Singapore, 29 September-4 October, 2003.	Comput. Music. J.	2004	DBLP DOI BibTeX RDF
26	Ross Feller	David Toop, Curator: Not Necessarily "English Music": A Collection of Experimental Music from Great Britain, 1960-1977.	Comput. Music. J.	2004	DBLP DOI BibTeX RDF
26	Frode Holm	Believe in Music: NAMM Show 2004 International Music Products Association, Anaheim Convention Center, Anaheim, California, USA, 15-18 January 2004.	Comput. Music. J.	2004	DBLP DOI BibTeX RDF
26	David Bithell	East Meets Left: Fourth Annual San Francisco Electronic Music Festival Evening of fixed-media compositions presented by The New San Francisco Tape Music Center, Som Arts, San Francisco, California, USA, 27 July 2003.	Comput. Music. J.	2004	DBLP DOI BibTeX RDF
26	Keiji Hirata 0001, Tatsuya Aoyagi	Computational Music Representation Based on the Generative Theory of Tonal Music and the Deductive Object-Oriented Database.	Comput. Music. J.	2003	DBLP DOI BibTeX RDF
26	Alexia Rosari	Sonic Circuits X Boston International Electronic Music Festival American Composers Forum Boston Chapter, Boston Cyberarts Festival, Berklee College of Music, Boston, Massachusetts, USA, 12 March/27 April/4 May 2003.	Comput. Music. J.	2003	DBLP DOI BibTeX RDF
26	Benjamin R. Levy	Electroacoustic Music: The Continuing Tradition Electroacoustic Music Festival at the University of Maryland, College Park, Maryland, USA 20-22 February 2002.	Comput. Music. J.	2002	DBLP DOI BibTeX RDF
26	Jonathan Segel	New San Francisco Tape Music Center: Transparent Tape Music Festival Transparent Theater, Berkeley, California, USA, 11-12 January 2002.	Comput. Music. J.	2002	DBLP DOI BibTeX RDF
26	Sean Ferguson	Donald A. Hodges, editor: Handbook of Music Psychology, 2nd Edition Softcover, 2000, ISBN 0-9648803-0-X, 589 pages, illustrated, references, author index, subject index, CD-ROM; MMB Music, Inc., Contemporary Arts Building, 3526 Washington Avenue, Saint Louis, Missouri 63103-1019, USA.	Comput. Music. J.	2002	DBLP DOI BibTeX RDF
26	Robert Rowe	Eduardo Reck Miranda: Composing Music with Computers Softcover, 2001, ISBN 0195058348, xvii + 411 pages, illustrated, bibliography, glossary of rules, subject index, subject index, Focal Press Music Technology Series, US$ 49.95, CD-ROM; Butterworth-Heinenmann, Linacre House, Jordan Hill, Oxford OX2 8DP, UK, or 225 Wildwood Avenue, Woburn, Massachusetts 01801, USA; telephone (+1) 781-904-2500; fax (+1) 781-904-2620; electronic mail orders@bhusa.com; Web www.focalpress.com/.	Comput. Music. J.	2002	DBLP DOI BibTeX RDF
26	Robert A. Moog, Ann Warde	Albert Glinsky: Theremin: Ether Music and Espionage Hardcover, 2000, ISBN 0-252-02582-2, 403 pages, foreword by Robert Moog, illustrated, notes, bibliography, University of Illinois Press Music in American Life series; University of Illinois Press, 1325 South Oak Street, Champaign, Illinois 61820-6903, USA; telephone (+1) 217-333-0950; fax (+1) 217-244-8082; electronic mail uipress@uillinois.edu; World Wide Web www.press.uillinois.edu/.	Comput. Music. J.	2002	DBLP DOI BibTeX RDF
26	Oliver Schneller	DEGEM: Klangkunst in Deutschland (Sonic Arts in Germany) CD-ROM, 2000, Wergo T 5150; available from Schott Music & Media, GmbH, Weihergarten 5, 55116 Mainz, Germany; telephone (+49) 6131-246-883/888; fax (+49) 6131-246-252; World Wide Web www.schott-music.com.	Comput. Music. J.	2002	DBLP DOI BibTeX RDF
26	Ian Whalley	Jürgen Bräuninger, Curator: Southern Cones: Music Out of Africa and South America Compact disc, Leonardo Music Journal CD Series Volume 10, 2000; available from Leonardo, The MIT Press Journals, Five Cambridge Cen-ter, Cambridge, Massachusetts 02142-1493, USA; telephone (+1) 800-356-0343; electronic mail journals-orders@mit.edu; Web muse.jhu.edu/journals/lmj/.	Comput. Music. J.	2002	DBLP DOI BibTeX RDF
26	Ross Feller	Evan Parker, Ghost-in-the-Machine: New Excursions Compact disc Ninth World Music NWM 019, 1998; available from Ninth World Music, Humlebaekvej 56, DK-3480 Fredensborg, Denmark; Evan Parker Electro-Acoustic Ensemble: Drawn Inward.	Comput. Music. J.	2001	DBLP DOI BibTeX RDF
26	Thomas Gerwin	Music for Humans: International Computer Music Conference 2000 "Gateways to Creativity" Berlin, Germany, 27 August 1 September 2000.	Comput. Music. J.	2001	DBLP DOI BibTeX RDF
26	Frode Holm	NAMM 2001 International Music Market International Music Products Association, Convention Center, Anaheim, California, USA, 18-21 January 2001.	Comput. Music. J.	2001	DBLP DOI BibTeX RDF
26	William Hussey	Technology and Teaching Music 1999 Annual Meeting for the Association for Technology in Music Instruction, Denver, Colorado, USA, 14-17 October 1999.	Comput. Music. J.	2000	DBLP DOI BibTeX RDF
26	James Harley	Jan Boerman: The Complete Tape Music Dick Raaijmakers: The Complete Tape Music.	Comput. Music. J.	2000	DBLP DOI BibTeX RDF
26	James Bohn	CyberQuilt: An ICMA CD-ROM Anthology CD-ROM (for Macintosh), 1999, ICMA CDR001; available from International Computer Music Association, 2040 Polk St., Suite 330, San Francisco, California 94109, USA; telephone (650) 493-9448; fax (650) 493-8045; electronic mail ICMA@email.sjsu.edu; World Wide Web music.dartmouth.edu/∼icma/.	Comput. Music. J.	2000	DBLP DOI BibTeX RDF
26	Martin Gieseking, Albert Gräf	Global Village - Global Brain - Global Music 5th Annual KlangArt "New Music Technology" Congress, Osnabrück, Germany, 10-13 June 1999.	Comput. Music. J.	2000	DBLP DOI BibTeX RDF
26	Philip C. Baczewski	CDCM Computer Music Series, Vol. 28: Larry Austin: Sound Plays, Cityscapes, Sound Portraits - 1993-96 Compact disc, 1999, Centaur CRC 2428; available from CDCM, P.O. Box 50888, Denton, Texas 76206, USA; telephone (940) 591-8128; electronic mail cdcm@sndart.cemi.unt.edu; World Wide Web www.music.unt.edu/CDCM/newcdccat.html#28.	Comput. Music. J.	2000	DBLP DOI BibTeX RDF
26	Alcides Lanza	Allen Strange, Mickey Helms, Brian Belet, Michael Frengel, Dan Wyman, Doug Michael, Pablo Furman: Music from CREAM: Music for Players and Digital Media (CDMC Vol. 26) Compact disc, 1998, Centaur CRC 2404; available from Centaur Records, Inc., 8867 Highland Rd., Suite 206, Baton Rouge, Louisiana 70808, USA; telephone (225) 336-4877; fax (225) 336-9678; electronic mail info@centaurrecords.com; World Wide Web www.centaurrecords.com.	Comput. Music. J.	2000	DBLP DOI BibTeX RDF
26	Simon Holland	Artificial Intelligence in Music Education: A Critical Review.	Readings in Music and Artificial Intelligence	2000	DBLP BibTeX RDF
26	Roger B. Dannenberg	Dynamic Programming for Interactive Music Systems.	Readings in Music and Artificial Intelligence	2000	DBLP BibTeX RDF
26	Alan Marsden	Music, Intelligence and Artificiality.	Readings in Music and Artificial Intelligence	2000	DBLP BibTeX RDF
26	Matt Smith	Artificial Intelligence and Music Education.	Readings in Music and Artificial Intelligence	2000	DBLP BibTeX RDF
26	Petri Toiviainen	Symbolic AI versus Connectionism in Music Research.	Readings in Music and Artificial Intelligence	2000	DBLP BibTeX RDF
26	Carlos Gustavo Guerra	The Mechanization of Intelligence and the Human Aspects of Music.	Readings in Music and Artificial Intelligence	2000	DBLP BibTeX RDF
26	Robert Rowe	Interactive Music Systems in Ensemble Performance.	Readings in Music and Artificial Intelligence	2000	DBLP BibTeX RDF
26	Gerhard Widmer	On the Potential of Machine Learning for Music Research.	Readings in Music and Artificial Intelligence	2000	DBLP BibTeX RDF
26	Carlos Palombini	The Fifth Brazilian Symposium on Computer Music: Super and Parallel Computing Applied to Music.	Comput. Music. J.	1999	DBLP DOI BibTeX RDF
26	Joel Chadabe	The 1999 NAMM International Music Market International Music Products Association, Los Angeles, California, USA, 28-31 January 1999.	Comput. Music. J.	1999	DBLP DOI BibTeX RDF
26	Brian K. Smith, William H. Smith Jr.	Uncovering Cognitive Processes in Music Composition: Educational and Computational Approaches.	Music Education: An Artificial Intelligence Approach	1993	DBLP DOI BibTeX RDF
26	Kenny R. Coventry, Tim Blackwell	Pragmatics in Language and Music.	Music Education: An Artificial Intelligence Approach	1993	DBLP DOI BibTeX RDF
26	Alan Smaill, Geraint A. Wiggins, Eduardo Reck Miranda	Music Representation - Between the Musician and the Computer.	Music Education: An Artificial Intelligence Approach	1993	DBLP DOI BibTeX RDF
26	Naoki Yasuraoka, Takehiro Abe, Katsutoshi Itoyama, Toru Takahashi 0001, Tetsuya Ogata, Hiroshi G. Okuno	Changing timbre and phrase in existing musical performances as you like: manipulations of single part using harmonic and inharmonic models.	ACM Multimedia	2009	DBLP DOI BibTeX RDF	music manipulation, performance rendering, sound source extraction, timbre mixing, signal processing
26	Jacek Wolkowicz, Malcolm I. Heywood, Vlado Keselj	Evolving Indirectly Represented Melodies with Corpus-Based Fitness Evaluation.	EvoWorkshops	2009	DBLP DOI BibTeX RDF	Music generation, unigrams, generational genetic algorithms, automatic fitness assessment, MIDI, Steady-state genetic algorithms
26	Somnuk Phon-Amnuaisuk	Composing Using Heterogeneous Cellular Automata.	EvoWorkshops	2009	DBLP DOI BibTeX RDF	Composing by heterogeneous cellular automata, Automatic music generation, Chorales, Dynamic neural networks
26	Mark Blythe, Peter C. Wright	Technology scruples: why intimidation will not save the recording industry and how enchantment might.	Pers. Ubiquitous Comput.	2008	DBLP DOI BibTeX RDF	Digital reproduction, Experience centred design, Music, Ethics, Copyright, Grounded theory, Enchantment
26	Christoph Dalitz, Michael Droettboom, Bastian Pranzas, Ichiro Fujinaga	A Comparative Study of Staff Removal Algorithms.	IEEE Trans. Pattern Anal. Mach. Intell.	2008	DBLP DOI BibTeX RDF	Music (Optical Recognition), Performance evaluation, Segmentation, Pixel classification
26	Charles Inskip, Andy MacFarlane, Pauline Rafferty	Content or context?: searching for musical meaning in task-based interactive information retrieval.	IIiX	2008	DBLP DOI BibTeX RDF	communication, relevance, music information retrieval, users, meaning
26	Zefir Kurtisi, Xiaoyuan Gu, Lars C. Wolf	Video demo: NMP with SDSL access network.	ACM Multimedia	2008	DBLP DOI BibTeX RDF	audio delivery, network entertainment, music, digital audio
26	Quoc V. Vy, Jorge A. Mori, David W. Fourney, Deborah I. Fels	EnACT: A Software Tool for Creating Animated Text Captions.	ICCHP	2008	DBLP DOI BibTeX RDF	kinetic text, animation, Music visualization
26	Rolf Inge Godøy	Geometry and Effort in Gestural Renderings of Musical Sound.	Gesture Workshop	2007	DBLP DOI BibTeX RDF	perception-action, key-postures, gestures, perception, Music, geometry, movement, effort
26	Jun Usui, Hirotaka Hatayama, Naohito Okude	Quatronome: a stomp box for jam session with movies.	Advances in Computer Entertainment Technology	2007	DBLP DOI BibTeX RDF	stomp box, design, ubiquitous computing, music, sound
26	Stephen Barrass, Tim Barrass	Musical creativity in collaborative virtual environments.	Virtual Real.	2006	DBLP DOI BibTeX RDF	Sound art, Performance, Interaction, Creativity, Music, CVE